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France's Secret
South Sea
By Alexander Lobrano |
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The huge hydrangeas bowing down to
the powdery white sand are the same kaleidoscopic tones of pink,
blue and lavender as the sun fading on the wave-dappled inlet just
steps from the terrace at Chez Hortense. Across the way, a mile
distant, the Dune du Pilat, the largest sand dune in Europe, has
a spectacular lunar glow too on this lush midsummer evening. But
few of the impeccably groomed diners in this painstakingly casual
and clearly affluent crowd—Ralph Lauren’s polo player is galloping
across half the chests in the room—are paying much attention to
the magnificent natural setting.
It’s the opening night of the season at
the chicest restaurant in Cap Ferret, one of the chicest resorts
in France. Just an hour from Bordeaux, the town lies at the tip
of the long, thin peninsula of dunes and forest that forms the western
arm of the Bassin
d’Arcachon, France’s beautiful and rather secret “South Sea.”
And though no one would admit it, there are people in the crowd
who called days earlier from halfway around the world to make sure
that they’d get a table on this most strategic of terraces. The
inevitable denials of the natives notwithstanding, this is the
night to see and be seen in a place where appearances count for
a great deal.
To grasp “Ferret,” as the locals affectionately
call it, imagine a Gallic version of East Hampton, then add the
perfect social graces and restrained elegance of the Bordeaux bourgeoisie
and a sprinkling of aristocrats. Along with, bien sûr, the
occasional scrupulously ignored celebrity—Bordeaux mayor Alain Juppé,
Johnny Hallyday, Léon Zitrone, Jean-Paul Belmondo—adding a bit of
glamour to the crowd.
What you won’t find here, in large numbers
anyway, are foreigners, and that is one of the things that makes
this corner of France, the world’s most visited country, so alluring.
It’s not that Cap Ferret is xenophobic, it isn’t, but rather like
several of the world’s other exclusive summer communities—the German
North Sea island of Sylt, or the gated pine glade of Point O’Woods
on New York’s Fire Island, a favorite with New York Times staffers—there’s
a very limited number of hotel rooms available, most of which are
booked far in advance, so you either own your own digs or are forced
into the dreaded category of day-tripper. And although Dutch and
German campers may like to be near the ocean beaches, almost everyone
else in this franchouillard, or super-French, station
balnéaire is happier dallying on the Bassin d’Arcachon itself.
Never mind that the residents of Pyla, the area’s other furiously
chic resort town at the entrance to the bay, make a firm point of
their preference for the “pristine” (you get the implications insofar
as the Bassin is concerned) Atlantic waters.
Pyla, with its large “Basco-Landaise” villas
(half-timbered whitewashed houses with long, low rooflines built
by three generations of the Gaume family), likes to imply that it’s
more “discreet” than Cap Ferret. And it’s true that the great families
of France—the Rothschilds, Debrés, Mauboussins, Taittingers and
Bettencourts—come here to escape the public eye. The only place
you might catch a glimpse of the local gratin is over dinner
at La Côte du Sud during the summer; out of season at La Cabane,
where they grill meat on an open fire; or at Les Deux Chênes, known
for its cèpes. Aside from these restaurants, though, there’s little
way for an outsider to experience the posh local life.
Pyla and
Cap Ferret may be the Bassin’s twin compass points of exclusivity,
sharing a sort of anti-Côte d’Azur philosophy, but they tell only
a small part of this lovely bay’s story. This vast tidal basin—more
than three-quarters (about 62,000 acres) of which is exposed at
low tide—has been attracting vacationers since at least the fourth
century, which is as far back as archaeologists have been able to
date the Gallo-Roman ruins in Andernos-les-Bains, a large and well-established
resort and oyster-producing town on the eastern flank of the lagoon.
Here, the powerfully simple Romanesque church of Saint-Eloi sits
on the shallow banks of the Bassin, and excavations have proven
that the Romans had established a sort of rough-and-ready spa here
using the salt- and mineral-rich mud to treat rheumatism and other
maladies.
Odds are that the Roman curistes
scarfed down an oyster or 12 as well, considering that the Bassin’s
most ancient vocation is oyster fishing. Originally, the bivalves
grew more or less wild here, but then in 1852 Vincent Coste, a local
fisherman, designed the first oyster-seed collectors. Jean Michelet,
another waterman, later developed the liming technique, painting
concave tiles with lime and stacking them in the sea, making it
easier to later detach the oysters that would cling to them. |
Local lore claims that a whole new chapter
in oystering began by accident in 1868, when a Portuguese ship sank
in the mouth of the bay. The spawn of les portugaises, the
deep, craggy oysters (as opposed to the traditional flat belons)
that were clinging to its hull, were reputedly washed into the nutrient-rich
waters and rapidly acclimated, eventually becoming the dominant
oyster species. The truth, for once, is just as fascinating: The
ship was carrying a cargo of oysters destined for Arcachon (the
intention was to introduce them into the local beds) but had to
take shelter near Bordeaux during a storm. Fearing that the oysters
had died due to the delay, they tossed the lot overboard into the
Garonne, and the shellfish eventually found their way to the Bassin
on their own.
With the rapid expansion of the French railway network
during the reign of Napoleon III, oysters were one of the many farm
products that became popular with city dwellers, and at the Emperor’s
orders, the Bassin d’Arcachon was carefully surveyed into allotments
awarded to local fishermen and their families. The move provoked
a huge boom that completely transformed the Bassin, basically changing
it from a wild sea into a carefully managed one.
The whole bay became ringed with oyster-producing
ports, the most famous being Gujan-Mestras, where a visit to the
Maison de l’Huître offers a fascinating history of oyster farming.
A critical date was 1970, when either an epidemic or mysterious
natural causes wiped out the local portugaises, since replaced
by a Japanese variety (Crassotrea gigas). Today the Bassin
provides a livelihood for some 400 ostréiculteurs, who annually
produce up to 15,000 tons of oysters, about 10 percent of the total
French production. Even more valuable than the adult oysters is
the Bassin’s spat, or oyster-seed, crop. Accounting for 70 percent
of French production, it is exported to other regions of France
as well as to European countries and Morocco.
The institution of organized property rights
in the Bassin also led to the invention of a uniquely local construction,
the tchanquées—wooden houses built on pilings as surveillance
points so that the locals could make sure no one was making off
with their shellfish. Only two of these picturesque bungalows survive,
both on the Ile aux Oiseaux, the low-lying island in the middle
of the lagoon. Just before sunset on a gentle June night, they’re
perfectly viewed during a tour in Joël Dupuch’s aluminum pinasse,
a type of wide, flat-bottomed boat with a very shallow draw that
is indigenous to the Bassin.
Dupuch,
a burly jovial man, is a sixth-generation oysterman who also has
restaurants in Bordeaux and Dijon and was formerly vice president
of the Bordeaux Chamber of Commerce. Today, he and his wife divide
their time between Bordeaux and the wooden cottage overlooking the
bay that he inherited from his family. “Our way of life here is
very, very family-oriented,” he says. “In Le Piquey, the village
where we live, the same families have been sitting in the same place
on the beach for generations. Everyone knows each other, so everyone
knows it’s ‘their’ spot.” He goes on to explain that laws stipulate
that the oyster beds can only be passed on to a family member or
sold to another oysterman, ensuring great stability in the region.
The same is true of fishermen’s cottages. “It’s almost impossible
for an outsider to buy a cottage in L’Herbe, Le Canon or any of
the little towns on the western edge of the bay,” notes Dupuch.
Designer Philippe Starck did manage to buy waterview property in
Le Piquey, just alongside the protected zone where Dupuch lives,
but such lots are few and far between and are tremendously expensive—if
you don’t hear about them by word of mouth, there is little chance
of even making a bid.
“Tourists have to adapt to this place,” declares
Dupuch, who suddenly throttles the motor of his boat in response
to something sensed below the opalescent surface of the sea at dusk.
“We oystermen know this bay so well that the moment something changes,
we notice it, just as we would notice if something were moved in
our own bedroom.” As the boat glides over a newly created sandbank,
he continues, “Anyway, visitors are welcome, but they must adapt
to us rather than the other way around. We don’t want the Bassin
to become gentrified. This isn’t the Côte d’Azur, where tourism
has created a rift between year-round residents and visitors. Here,
we have a unique social harmony. That is because our two primary
industries—oysters and tourism—grew up together. Both of these populations
realize that they have the same interests at stake.”
Now the shoreline
of Arcachon, the grande dame of the Bassin, comes into view. The
town has become built up, with a year-round population of 12,000,
but a few fanciful villas survive among the massive apartment blocks
that went up during the ’70s. Nevertheless, a certain aura of gentility
prevails here that harkens back to the days when ladies promenaded
under silk parasols and the Moorish-style casino, now gone, attracted
the crowned heads of Europe. Originally a tiny fishing village,
Arcachon boomed when the Pereire brothers, clever Bordelais bankers,
bought and extended the Bordeaux-La Teste railway, which arrived
in 1857. To create traffic on the new line, the brothers built a
Grand Hôtel and a “Chinese” buffet restaurant, while another developer
put up the casino. They then invited Napoleon III to come for a
visit—a shrewd marketing coup that rapidly established the town’s
fashionable reputation.
Although the “Ville d’été” along the seafront
has been rather brutally modernized, the “Ville d’hiver,” built
inland to escape the winds, maintains an air of cosseted bourgeois
leisure. Many of the villas here echo the Victorian architecture
in Britain and North America with their fanciful neo-historical
references and general frilliness—the same lacy wooden eaves, porticos,
railings and glass awnings found in Manchester or the Hudson River
Valley abound in this leafy, private neighborhood. Puttering around
these back streets is nice weekday entertainment, but don’t even
think about driving here on a weekend in high season, when an infernal
system of one-way streets, nonexistent parking and heavy traffic
can combine to create chart-busting stress.
Otherwise, Arcachon’s most appealing attraction
is its vivid and lively market, where you’ll find all of the luscious
bounty of southwestern France’s lavish cuisines—Basque, Landais,
Bordelais and Béarnais. This very popular market is at its best
on Saturday mornings, when the locals shop for weekend entertaining
and tourists put together superb picnics, including takeaway platters
of freshly shucked oysters, foie gras, Bayonne ham, Ossau d’Iraty
sheep’s milk cheese, fresh plums from Agen and a variety of other
delicacies. Even if you’re not planning a picnic, you can stop in
at one of the counters serving fresh oysters with a side of grilled
sausage, a delicious local combo, along with everything from paella
to confit de canard.
If you’re staying in
Cap Ferret, you can take the ferry over to Arcachon for a day, a
far better idea than the long drive around the Bassin. If you do,
you’ll also experience another reason why this area is so wonderfully
well preserved—to wit, the shifting sands at the mouth of the bay
make it impossible to build a bridge between Pyla and Cap Ferret,
preventing the closing of a circle that would surely lead to further
development pressures.
As you return to Cap Ferret from Arcachon,
the azure and topaz waters of the Bassin will be streaming—east
or west, depending on the tide—into the ocean, and on a sunny day,
with white sand beaches in the distance, it’s almost hard to believe
you’re in France, for the whole scene seems Caribbean or Pacific
in its lushness and beauty.
“It’s true that there are mornings when
I go down to the beach for a swim and find myself thinking that
we have no reason to envy the Polynesians,” says Benoît Bartherotte,
whose Bordelais family has been vacationing along the Bassin for
three generations.
“Cap Ferret used to be so wild that we were practically
considered Indians for coming here,” he chuckles. “Fishermen would
ferry us across from Arcachon, where my grandparents had a villa,
to hunt and fish.” Bartherotte later married the girl next door,
Elisabeth (Zaza) Saige, who was also enamored of this strip of wilderness.
“When we built our first cabin out here, we had no electricity or
running water; we lived by candlelight,” he says, sounding rather
nostalgic for those days of bygone rusticity. “Unlike Le Touquet,
Deauville or Arcachon, which all became grand resorts during the
reign of Napoleon III, Cap Ferret has always had a renegade personality.”
An exuberant man with a delightfully Whitmanesque approach to life—in
short, seize the day, live and let live, learn and enjoy yourself
as much as you can while respecting other people—Bartherotte was
a successful fashion designer in Paris, where he ran the Esterel
house before selling and deciding to live full-time in the family
camp while pursuing other projects. He appears to take a certain
pleasure in perpetuating the nonconformist myth of Cap Ferret—today
he lives at the extreme tip of the peninsula with his large family
in Walden Pond-like splendor in a complex of beautiful wooden cabins
and houses set in a pine forest on the edge of the dunes. On any
given day, he can be seen roaring across the bay in his boat, picking
up or dropping off friends or family on the giant sandbars at the
mouth of the bay.
In fact, however, Bartherotte has invested much
of his life and money in his personal passion for the cape by spending
millions of dollars combating the major menace to its survival—erosion.
A huge stone jetty, which Bartherotte has financed single-handedly,
has prevented the sea from flooding the point of Cap Ferret. Indeed,
a conference held this past August by the French National Hydraulic
Center (SOGREAH) concluded that were it not for Bartherotte’s sea
wall, a major channel would have shifted 270 meters to the west,
effectively wiping out the point. “The areas not protected by my
wall are still being swept away,” Batherotte says gravely. Then
he grins. “SO, enjoy it while you can! Have you been to L’Herbe?
Or Le Canon? They’re the prettiest villages on the bay.”
Bartherotte
is right, of course. L’Herbe and Le Canon are intimate warrens of
old weathered wooden cottages decorated with geraniums and hollyhocks
often growing higher than their roof lines, and they have an unselfconscious
charm that defies a calendar, to say nothing of a Palm Pilot. Wandering
their narrow lanes, you get a gentle glimpse of an eternal summer
of siestas, bathing suits drying on clotheslines, teakettles whistling,
radios playing, half-read paperbacks abandoned face down on front
porch railings, teenagers flirting and seagulls crying.
Shy of romancing or marrying a native, the
only way to go local is to stay at L’Herbe’s winsome Hôtel de la
Plage, a seaside boarding house that’s so film-set perfect you half
expect someone to call out “Lights, Cameras, Action!” They won’t,
of course, so you’ll be left in peace over your delicious supper
of local oysters and mulet en sauce verte (mullet in green
sauce, a local specialty). On a warm night, sitting outside, you’ll
see the lights of Arcachon twinkling across the bay, and odds are
you’ll feel very much like a privileged insider, which is exactly
the way the natives want it. “You’re very welcome here,” says the
sassy hostess, “just don’t tell anyone else about us.”s |
Photos: Jean-François Jaussaud; ©SCOPE/Jacques
Guillard
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