<!--
Map=new Array();
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Map[0] = 'Foreign Assets';
Map[1] = 'Twists of Fate';
Map[2] = 'Does Less + Luxe = More ?';
Map[3] = 'Putting the eaux back in Bordeaux';
Map[4] = 'France\'s Secret South Sea';
Map[5] = 'Les Bordelais';
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var Caption=new Array(100);
var Credit=new Array(100);

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////////////////////////   FM 76   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index76-COVER
Caption[0] = 'An exuberant Josephine Baker trying on costumes created for her show by French designer Balmain.';
Credit[0] = 'Photo: Universal Photo/SIPA';

// article137-BAKER
Caption[1] = 'A diva both onstage and off, Baker radiated glamour. Here, her return to Broadway in 1951, after a 15-year absence.';
Credit[1] = 'Photo: &copy;Corbis All Rights Reserved';
Caption[2] = 'Josephine Baker performing at the "Fête des Caf\' Conc\'" at the Buffalo Stadium in Montrouge, 1926.';
Credit[2] = 'Photo: Collection Roger-Viollet';
Caption[3] = 'Josephine Baker in "Paris qui remue" at the Casino de Paris, 1930-31.';
Credit[3] = 'Photo: &copy;Lipnitzki/Roger-Viollet';
Caption[46] = 'Jean-Claude Baker nightly celebrates his mother\'s memory at "Chez Josephine" in New York, NY.';
Credit[46] = 'Photo: &copy;Courtney Grant Winston';

// article138-CÉZANNE
Caption[4] = '"Houses in Provence: The Riaux Valley near L\'Estaque" (c.1883).';
Credit[4] = 'Photo: The National Gallery of Art, Washington, D.C./Collection of Mr. and Mrs Paul Mellon';
Caption[5] = '"Chestnut Trees at the Jas de Bouffan in Winter" (1885-1886).';
Credit[5] = 'Photo: lent by The Minneapolis Institute of Arts/The William Hood Dunwoody Fund, private collection';
Caption[6] = '"The Bibémus Quarry" (1896-1897).';
Credit[6] = 'Photo: The National Gallery of Art, Washington, D.C./Collection of Mr. and Mrs Paul Mellon';
Caption[7] = '"The Garden at Les Lauves" (c. 1906).';
Credit[7] = 'Photo: The Phillips Collection, Washington, D.C.';

// article139-AREVA
Caption[8] = '"New York City Lights".';
Credit[8] = 'Photo: Ben';

// article140-DELICES & SAVEURS OYSTERS
Caption[10] = 'For gourmets, Brittany is synonymous with oysters. Here, a selection of plates from Quiberon.';
Credit[10] = 'Photo: &copy;SCOPE/B. Galeron';
Caption[11] = 'Oyster beds at Cancale, whose storied bivalves accompanied Napoleon on his march to Moscow.';
Credit[11] = 'Photo: &copy;SCOPE/P. Blondel';
Caption[12] = 'At eight months, oysters are placed in plastic net bags to protect them from predators such as crabs. Here, an oysterman in the Bassin d?Arcachon tends his young shellfish.';
Credit[12] = 'Photo: &copy;SCOPE/J.-L. Barde';

// article141-VINS & VIGNOBLES SAUTERNES
Caption[13] = 'Château d\'Yquem\'s wines intensify in flavor and aroma over time, changing in color from rich golden to translucent mahogany.';
Credit[13] = 'Photo: &copy;SCOPE/M. Guillard';

// article142-BELLES LETTRES PETR KRAL
Caption[9] = 'Petr Kral.';
Credit[9] = 'Photo: Didier Pruvot &copy; Editions Flammarion';

// article143-PATRIMOINE FRENCH COLLECTION
Caption[14] = 'From the French Collection, a 1729 treatise on the law, history and function of the police.';
Credit[14] = 'Photo: George Washington University\'s Jacob Burns Law Library';
Caption[15] = 'Historical materials held in the collection add context and color to the law. Here, a diagram from the coroner\'s report on the bloody murder of the Duchesse de Praslin.';
Credit[15] = 'Photo: George Washington University\'s Jacob Burns Law Library';
Caption[16] = 'Assignats?some bearing caricatures of Louis XVI?served as currency in the chaotic months following the Revolution.';
Credit[16] = 'Photo: George Washington University\'s Jacob Burns Law Library';

// article144-CALENDRIER
Caption[17] = 'Warhol\'s "Sarah Bernhardt" from "Sarah Bernhardt: The Art of High Drama" at The Jewish Museum.';
Credit[17] = 'Photo: The Jewish Museum (Promised gift of Lorraine and Martin Beitler, P.1.2001)';
Caption[18] = '"Still Life with Laval\'s Profile" from "Gauguin and Impressionism" at the Kimbell Art Museum, Fort Worth, TX.';
Credit[18] = 'Photo: Indianapolis Museum of Art, Samuel Josefowitz collection of the School of Pont-Aven, through the generosity of Lilly Endowment Inc., the Josefowitz family, Mr. and Mrs. James M. Cornelius, Mr. and Mrs. Leonard J. Betley, Lori and Dan Efroymson, and other friends of the museum.';
Caption[19] = 'Louise Bourgeois\'s "Femme Maison," a sculpture in marble, at the Walters Art Museum in Baltimore.';
Credit[19] = 'Photo: Allan Finkelman';
Caption[20] = '"The Disciples See Christ Walking on Water" from "Henry Ossawa Tanner and the Lure of Paris" at the Baltimore Museum of Art.';
Credit[20] = 'Photo: Christopher Burke';
Caption[21] = 'Jacques Lipchitz\'s "Pierrot" (1919), at the Museum of Fine Arts, Boston.';
Credit[21] = 'Photo: Collection of Charlotte and Irving W. Rabb/&copy;Estate of Jacques Lipchitz, courtesy, Marlborough Gallery, New York/&copy;Museum of Fine Arts, Boston';
Caption[22] = '"French Donjons: Castle of Coucy, Medieval Life in Miniature," an exhibition at the Joslyn Art Museum in Omaha.';
Credit[22] = 'Photo: Courtesy of GIB, the International Castle Society';
Caption[23] = '"Hell is other people" gets a new slant in this winter?s production of Sartre\'s "No Exit," whose characters must struggle to keep their footing.';
Credit[23] = 'Photo: Courtesy of Imago Theatre';
Caption[24] = 'Visitors at The National D-Day Museum in New Orleans will discover artifacts, documents, photographs and never before seen film footage from Normandy to the Pacific.';
Credit[24] = 'Photo: &copy;The National D-Day Museum Foundation, Inc.';

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////////////////////////   FM 77   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index77-COVER
Caption[25] = 'Baptiste Trotignon performs in a stone quarry in Provence, one of the many original venues of the Roque d\'Anthéron International Piano Festival.';
Credit[25] = 'Photo: Patrick Villanova';

// article145-Cit? planning
Caption[26] = 'France\'s public housing projects were initially greeted with great enthusiasm. These 1961 photos of Sarcelles, a suburb north of Paris, show the rational grid of the apartment complex with its modern, light-filled dwellings surrounded by green space where children could play.';
Credit[26] = 'Photo: &copy;MTETM/SG/SIC/Salesse';
Caption[27] = 'Five renowned architectural teams joined forces to conceive the Cité Manifeste de Mulhouse, a project designed to reinvent public housing for the 21st century. Each came up with unexpected spaces that made creative use of industrial materials. Left and right: Duncan Lewis (Scape Architecture + Block). Center: Jean Nouvel (AJN).';
Credit[27] = 'Photo: &copy;Philippe Ruault';
Caption[28] = 'Five renowned architectural teams joined forces to conceive the Cité Manifeste de Mulhouse, a project designed to reinvent public housing for the 21st century. Each came up with unexpected spaces that made creative use of industrial materials. Left and right: Duncan Lewis (Scape Architecture + Block). Center: Jean Nouvel (AJN).';
Credit[28] = 'Photo: &copy;Philippe Ruault';
Caption[29] = 'Five renowned architectural teams joined forces to conceive the Cité Manifeste de Mulhouse, a project designed to reinvent public housing for the 21st century. Each came up with unexpected spaces that made creative use of industrial materials. Left and right: Duncan Lewis (Scape Architecture + Block). Center: Jean Nouvel (AJN).';
Credit[29] = 'Photo: &copy;Philippe Ruault';

// article146-Music Festivals
Caption[30] = 'A jazz trombonist from the Count Basie Orchestra performing in Marciac in 2005.';
Credit[30] = 'Photo: &copy;Françis Vernhet, PN';
Caption[31] = 'A performance of Puccini\'s "La Bohème" in Orange\'s open-air Roman amphitheatre in 2005.';
Credit[31] = 'Photo: &copy;Philippe Gromelle';
Caption[32] = 'Visitors can enjoy southwestern fare and local wines while taking in Marciac\'s free "off" festival, held on the town\'s central square.';
Credit[32] = 'Photo: &copy;Françis Vernhet';
Caption[33] = 'Prize-winning Ukrainian pianist Igor Tchetuev rehearses in the open-air theater on the grounds of the Château de Florans, during the 2005 International Piano Festival of La Roque d\'Anthéron.';
Credit[33] = 'Photo: &copy;Patrick Villanova';

// article147-Patrimoine-Tower Power
Caption[34] = 'Rebuilt after WWII, the Arras belfry is a stunning example of Flemish Renaissance architecture.';
Credit[34] = 'Photo: www.nordmag.fr';
Caption[35] = 'Left & right: Douai\'s belfry, which has 62 bells weighing a total of 18 metric tons. Center: Stephano Colleti, Maître Carilloneur.';
Credit[35] = 'Photo: www.nordmag.fr';

// article148-Délices & Saveurs-Pascal Barbot
Caption[36] = 'Chef Pascal Barbot.';
Credit[36] = 'Photo: courtesy of l\'Astrance';
Caption[37] = 'A sampling of Barbot\'s imaginative creations: Nettle soup with duck foam; caramel wafer cake with lychee and cosmos petals; crabmeat drizzled with sweet almond oil between thin slices of avocado.';
Credit[37] = 'Photos: courtesy of l\'Astrance';

// article149-Vins & Vignobles-Ultimate Syrah
Caption[38] = 'The precariously steep Côte-Rôtie vineyards.';
Credit[38] = 'Photo: &copy;SCOPE/M. Guillard';
Caption[39] = 'Left to right: Vines staked on typical "échalas"; a bunch of luscious Syrah grapes; a barrel of La Turque, one of the finest Côte-Rôtie wines.';
Credit[39] = 'Photo: &copy;SCOPE/J. & M. Guillard';

// article150-Belles Lettres-Armen Lubin
Caption[40] = 'Armen Lubin';
Credit[40] = 'Photo: courtesy of Les Cahier Bleus/D. Daguet';

// article151-Calendrier 77
Caption[41] = 'Man Ray\'s "Untitled (Solarized Nude)" from "Degas to Picasso" at the Museum of Fine Arts, Boston.';
Credit[41] = 'Photo: &copy;Man Ray Trust/Artists Rights Society (ARS), New York/ ADAGP, Paris/&copy;Museum of Fine Arts, Boston';
Caption[42] = 'Pablo Picasso\'s "The Blue Room," one of the highlights of "The Renoir Returns" at The Phillips Collection.';
Credit[42] = 'Photo: &copy;Estate of Pablo Picasso/Artists Rights Society (ARS), New York';
Caption[43] = 'This soft-paste porcelain vase (c. 1779) appears in "A Taste for Opulence" at the Metropolitan Museum of Art.';
Credit[43] = 'Photo: The Metropolitan Museum of Art, Gift of the Samuel H. Kress Foundation, 1958';
Caption[44] = 'Greedy and ruthless Harpagon is sure to make audiences laugh in the spring production of Molière\'s "The Miser" at Houston\'s Alley Theatre. ';
Credit[44] = 'Photo: Michal Daniel';
Caption[45] = 'Carmen sings her way into the hearts of two men in the Houston Grand Opera\'s production of Bizet\'s famous operatic love triangle.';
Credit[45] = 'Photo: George Hixson';

///// (46) already used ////////

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////////////////////////   FM 78   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index78-COVER
Caption[47] = '“Eleanor” (1907) by Frank Weston Benson. Painted in Maine, this portrait of the artist\’s daughter employs Impressionist techniques learned in France.';
Credit[47] = 'Photo courtesy of the Museum of Fine Arts, Boston.';

// 153 - AMERICANS IN PARIS
Caption[48] = '"Madame X" (Madame Pierre Gautreau) by John Singer Sargent, 1883-84. Oil on Canvas.';
Credit[48] = 'Photo:&copy;Metropolitan Museum of Art';
Caption[49] = '"Woman with a Pearl Necklace in a Loge" by Mary Cassatt, 1879. Oil on Canvas.';
Credit[49] = 'Photo: &copy;Philadelphia Museum of Art';
Caption[50] = '"In the Luxembourg Gardens" by John Singer Sargent, 1879. Oil on Canvas.';
Credit[50] = 'Photo: &copy;Philadelphia Museum of Art';
	
// 154 - LOIRE VALLEY
Caption[51] = 'The stunning 15th-century Château de la Verrerie welcomes guests to the Loire Valley.';
Credit[51] = 'Photo: Photo courtesy of the Count Béraud de Vogüé';
Caption[52] = 'The 18th-century Château de Fresne near the city of Vendôme.';
Credit[52] = 'Photo: &copy;SCOPE/Jacques Guillard';
Caption[53] = 'The 15th-century Château de la Bourdaisière hosts annual open-air photo exhibitions.';
Credit[53] = 'Photo: &copy;SCOPE/Jacques Guillard';
Caption[54] = 'The Château de la Verrerie is a peaceful oasis where city-dwellers can experience the beauty of the Loire Valley.';
Credit[54] = 'Photo: &copy;SCOPE/Jacques Guillard';
Caption[55] = 'Perched on the hillside, Nocholas Joly’s château dominates the rolling Loire landscape.';
Credit[55] = 'Photo: &copy;SCOPE/Jacques Guillard';
Caption[56] = 'Joly practices biodynamic agriculture at his ancient vineyard, La Coulée de Serrant.';
Credit[56] = 'Photo courtesy of Acres, U.S.A., Publishers';

// 155 - BEAUTÉ
Caption[57] = 'The Manea Spas of French Polynesia have created a line of beauty products that use regionally grown ingredients.';
Credit[57] = 'Photo: Manea Spa';

// 156 - DÉLICES & SAVEURS
Caption[58] = 'Epicurean Jean-Yves Bordier uses time-honored techniques to create the best possible butter.';
Credit[58] = 'Photo courtesy of J.-Y. Bordier';
Caption[59] = 'The different varieties of Bordier\'s butter are destined for three-star restaurants.';
Credit[59] = 'Photo courtesy of J.-Y. Bordier';

// 157 - VINS & VIGNOBLES
Caption[60] = 'Slightly chilled Chinon wines are the perfect accompaniment to warm-weather fare.';
Credit[60] = 'Photo: &copy;SCOPE/D. Czap';

// 158 - INTERVIEW
Caption[61] = 'Like many works at Branly, this 19th-century Kota reliquary guardian figure from Gabon can be appreciated both as an anthropological artifact and a work of art.';
Credit[61] = 'Photo: Musée du quai Branly/Patrick Gries';
Caption[62] = 'Stéphane Martin is President and General Director of the Musée du quai Branly.';
Credit[62] = 'Photo: &copy;Antonin Borgeaud';
Caption[63] = 'An aerial view of Paris\'s new Musée du quai Branly along the Seine River.';
Credit[63] = 'Photo: Musée du quai Branly/Ianna Andréadis';
Caption[64] = 'A Peruvian figurine from the Inca empire.';
Credit[64] = 'Photo: Musée du quai Branly/Patrick Gries';
Caption[65] = 'A mask from Papua New Guinea, part of an exhibit on Melanesian art.';
Credit[65] = 'Photo: Musée du quai Branly/Patrick Gries';
Caption[66] = 'a ceremonial headdress from Mali.';
Credit[66] = 'Photo: Musée du quai Branly/Patrick Gries';

// 159 - CALENDRIER 78 - SUMMER 2006
Caption[67] = 'Henri Rousseau\'s "La Charmeuse des Serpents" from "Henri Rousseau: Jungles in Paris" at the National Gallery of Art, Washington, DC.';
Credit[67] = 'Photo: &copy;Musée d\'Orsay, Paris';
Caption[68] = 'Claude Monet\'s "Garden at Ste.-Adresse" is one of the highlights of "Monet in Normandy" at the San Francisco Legion of Honor museum.';
Credit[68] = 'Photo: Johansen Krause';
Caption[69] = '"Frontispiece of the Atlantic Geographic," featured in "Napoleon on the Nile: Soldiers, Artists, and the Rediscovery of Egypt" at the Dahesh Museum of Art in New York.';
Credit[69] = 'Photo: Private Collection';
Caption[70] = '"Horus et sa Grace," at the Atlanta Botanical Garden, is part of the world\'s largest exhibit of sculptures by Niki de Saint Phalle.';
Credit[70] = 'Photo: &copy;2006 Niki Charitable Art Foundation';
Caption[71] = 'Charlotte Rampling stars in Laurent Cantet\'s provocative film Vers le Sud (Heading South), part of the French Film Festival at the Museum of Fine Arts, Boston.';
Credit[71] = 'Photo: &copy;Haut et Court 2005';

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////////////////////////   FM 79   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index79-COVER
Caption[72] = 'The traditional pear shape and thick glass of Champagne bottles were conceived to prevent them from exploding under pressure.';
Credit[72] = 'Photo: Visual Impact/CIVC';

// 164 - JOYAUX
Caption[73] = 'Pierre Joyaux at his home, La Lande Chevrier.';
Credit[73] = 'Photo: &copy;SCOPE/Jacques Guillard';
Caption[74] = 'A mixed border running along a basin planted with lotus, part of the expansive garden Joyaux designed for Lorraine de la Valdenne in Dreux.';
Credit[74] = 'Photo: &copy;SCOPE/Jacques Guillard';
Caption[75] = 'A gate made of chestnut branches that Joyaux crafted for his daughter\’s herb garden.';
Credit[75] = 'Photo: Laurence Toussaint';
Caption[76] = 'Pierre Joyaux believes that gardens are to be lived in; this wisteria arch is perfectly proportioned for a couple walking side-by-side.';
Credit[76] = 'Photo: &copy;SCOPE/Jacques Guillard';

// 165 - ART DECO
Caption[77] = 'Since its creation in 1905, the Musée des Arts Décoratifs has been housed in the Marsan Wing of the Palais du Louvre, which was completed around 1850. The recent renovation included opening windows that had been filled in with concrete for more than 100 years, creating a luminous, open space.';
Credit[77] = 'Photo: Musée des Arts Décoratifs/Philippe Chancel, all rights reserved';
Caption[78] = '<b>Chest by Pierre Gole:</b> The Museum\’s massive restoration project involved refurbishing about 5,000 objects; some were simply given a good dusting and cleaning, others necessitated as many as three years of labor. An especially complicated restoration was that of this 17th-century chest by Pierre Gole. Bits of ivory and tortoiseshell—materials that are tightly regulated because they come from endangered species—were missing from the intricate inlay. Each replacement piece had to be precisely weighed, as were any bits cut off in the process of carving them to fit.';
Credit[78] = 'Photo: Musée des Arts Décoratifs/Philippe Chancel, all rights reserved';
Caption[79] = '<b>Jeanne Lanvin\’s Bedroom:</b> Armand-Albert Rateau designed this bedroom as well as a boudoir and bathroom for the famous couturier. His signature Art Deco style incorporates images from art, history and mythology. The fabric covering the walls was quite damaged and has been replaced with identical material dyed “Lanvin Blue.” The original was machine embroidered in white; the replica was hand embroidered by the famous Lesage workshops, which still lend their talents to the world’s greatest couturiers.';
Credit[79] = 'Photo: Musée des Arts Décoratifs/Philippe Chancel, all rights reserved';
Caption[80] = '<b>The bed of courtesan Emilie Valtesse de la Bigne,</b> the supposed inspiration for Zola\’s <em>Nana,</em> by Edouard Lièvre.';
Credit[80] = 'Photo: Musée des Arts Décoratifs/Philippe Chancel, all rights reserved';

// 166 - CHAMPAGNE
Caption[81] = 'Every glass of Champagne contains millions of bubbles and centuries of history.';
Credit[81] = 'Photo: Visual Impact/CIVC';
Caption[82] = 'The <em>premier cru</em> vineyards in Le Mesnil supply grapes for Salon Le Mesnil, the Champagne equivalent of haute couture.';
Credit[82] = 'Photo: Salon-Delamotte';
Caption[83] = 'Much of the Champagne region sits atop a layer of chalk that has been quarried since the 10th century, leaving behind <em>crayères</em> that are now often used for storing Champagne. Since the 18th century, miles of cellars have also been dug—Epernay alone has more than 70 miles of cellars some 60 to 120 feet below its surface.';
Credit[83] = 'Photo: CIVC';
Caption[84] = 'A worker turns bottles by hand, carefully dislodging sediment that will later be disgorged.';
Credit[84] = 'Photo: &copy;SCOPE/Jacques Guillard';

// 168 - BELLES LETTRES
Caption[85] = 'Jean-Philippe Toussaint';
Credit[85] = 'Photo: &copy;Noëlle Fontaine';

// 169 - ART
Caption[86] = 'Raphael\’s “Portrait of Baldassare Castiglione” (1514-1515). The “Louvre Atlanta” project kicks off with “Kings as Collectors,” featuring paintings, sculptures and antiquities from the legendary Paris museum.';
Credit[86] = 'Photo: Peter Harholdt';
Caption[87] = 'The newly expanded High Museum.';
Credit[87] = 'Photo: &copy;Jonathan Hillyer 2005';
Caption[88] = '“Jupiter Striking Down the Titans” after Alessandro Algardi (early 17th century).';
Credit[88] = 'Photo: Peter Harholdt';
Caption[89] = 'A <em>nécessaire</em> given by Louis XV to his wife, Marie Leczinska.';
Credit[89] = 'Photo: Peter Harholdt';

// 170 - CALENDRIER
Caption[90] = 'Maison Martin Margiela\’s “Flower Dress.”';
Credit[90] = 'Photo: Marina Faust, Paris, courtesy of Maison Martin Margiela';
Caption[91] = '“Bird Clip” by Mellerio dits Meller.';
Credit[91] = 'Photo: courtesy of DOT Editions/The Forbes Galleries';
Caption[92] = 'Charpentier\’s ebony “Study for dance, modeled” (c. 1900).';
Credit[92] = 'Photo: private collection, courtesy of the National Gallery of Art';
Caption[93] = 'Choreographers Boris Charmatz and Dmitri Chamblas perform their intense duet “A bras le corps.”';
Credit[93] = 'Photo: unknown';

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