<!--
Map=new Array();
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Map[0] = 'Foreign Assets';
Map[1] = 'Twists of Fate';
Map[2] = 'Does Less + Luxe = More ?';
Map[3] = 'Putting the eaux back in Bordeaux';
Map[4] = 'France\'s Secret South Sea';
Map[5] = 'Les Bordelais';
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var Caption=new Array(100);
var Credit=new Array(100);

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////////////////////////   FM 84   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index84-COVER
Caption[0] = 'The revamped Domaine de Verchant offers guests a savvy combination of wit and style.';
Credit[0] = 'Photo courtesy of Domaine de Verchant';

// article198-Destination Design
Caption[1] = 'Suite 501 at Cannes\'s 3.14 Hôtel, where every floor evokes a different continent.';
Credit[1] = 'Photo courtesy of 3.14';
Caption[2] = 'At the Domaine de Verchant, guest rooms offer the latest in international design, including the high-impact “Brasilia” side table by the Campana brothers and “Mite Terra” lighting by Foscarini.';
Credit[2] = 'Photo courtesy of Domaine de Verchant';
Caption[3] = 'Patrick Jouin’s revamp of the Auberge de l\'Ill included a shimmering glass curtain, a carpet based on an aerial photo of Alsace and chairs of his own design, produced by Laval.';
Credit[3] = 'Photo courtesy of Auberge de L\'ill';
Caption[4] = 'The Champs Libre cultural complex by Christian de Portzamparc offers a playful juxtaposition between different geometrical shapes.';
Credit[4] = 'Photo: Christophe Le Déhévat';
Caption[5] = 'James Lee Byars spent nearly two years creating his “Ange rouge de Marseille,” displayed here at the Modern Art Institute in Valencia, Spain. As the late American artist soon discovered, red is one of the most temperamental colors to reproduce, being highly sensitive to changes in temperature. More than 2,000 glass balls had to be made to come up with the 1,000 balls needed for the floor sculpture; even so, their colors were not always perfectly identical.';
Credit[5] = 'Photo: Fond National d\'Art Contemporain/Ministère de la Culture et de la Communication, Paris';
Caption[6] = 'When CRAFT wanted to explore the light-diffusing properties of porcelain, they called on Ingo Maurer, known as the “poet of light.” Maurer obliged, creating his “Broken Egg” at CRAFT in collaboration with Bernardaud in 1996.';
Credit[6] = 'Photo: &copy;Frédéric Magnoux';

// article199-Vins Et Vignobles
Caption[7] = 'Winemakers now use horses to repair damage done by heavy tractors.';
Credit[7] = 'Photo: Erik Martin';

// article200-Interview REY
Caption[8] = 'Alain Rey';
Credit[8] = 'Photo: Philippe Matsas/agence OPALE';

// article202-Temps Modernes
Credit[9] = 'Illustration by Lasse Skarbövik';

// article202-Calendrier
Caption[10] = '“Juliette Courbet” (1844), sitting pretty in a major retrospective devoted to her brother at the Metropolitan Museum of Art.';
Credit[10] = 'Photo: &copy;Petit Palais/Roger Viollet';
Caption[11] = 'Claire Fontaine\’s "Untitled (We are all, III & IV)" (2007) is one of the contemporary works showcased in Miami\’s “French Kissin\’ in the USA.”';
Credit[11] = 'Photo: Galerie Chantal Crousel, Paris';
Caption[12] = '"Shadows on the Sea, Pourville" by Claude Monet (1882)';
Credit[12] = 'Photo: NY Carlsberg Glyptotek, Copenhagen';
Caption[13] = 'This graceful Attic amphora (550-540 B.C.) is part of “The Louvre and the Ancient World.” ';
Credit[13] = 'Photo: Peter Harholdt/Permission from the Musée du Louvre, Paris/High Museum of Art, Atlanta';
Caption[14] = 'Miami City Ballet\’s Patricia Delgado and Isanusi Garcia-Rodriguez perform Balanchine\’s “Bourrée Fantasque,” set to the music of Emmanuel Chabrier.';
Credit[14] = 'Photo: &copy;Joe Gato/The George Balanchine Trust';
Caption[15] = 'Diavolo: a genre-defying troupe of dancers, gymnasts and acrobats.';
Credit[15] = 'Photo: Elazar C. Harel';

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////////////////////////   FM 85   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index85-COVER
Caption[16] = 'Herv&eacute; Gambs\’s artful arrangements of artificial flowers are among the many great values in the 2008 Paris Guide.';
Credit[16] = 'Photo: Herv&eacute; Gambs 2008';

// article203-Chateau de Fontainebleau
Caption[17] = 'Originally a royal hunting lodge, the Ch&acirc;teau de Fontainebleau evolved over the centuries into a 1,500-room palace. Today visitors come to take in the magnificent art and architecture but also to enjoy the 200 acres of grounds and the nearby Fontainebleau Forest.';
Credit[17] = 'Photo: Office du Tourisme du Pays de Fontainebleau';
Caption[18] = 'In the 16th century, Italian artists decorated Fontainebleau in a style inspired by Italian Mannerism. The Galerie Fran&ccedil;ois I features boldly colored frescoes whose mythological themes are given a French spin (in one, the king expels Blindness and Ignorance from his realm).';
Credit[18] = 'Photo: &copy;Jacques Guillard/SCOPE';
Caption[19] = 'Fontainebleau is unique in that French royalty resided there for eight centuries, progressively adding to the ch&acirc;teau and redecorating its many rooms.';
Credit[19] = 'Photo: Office du Tourisme du Pays de Fontainebleau';
Caption[20] = 'In 2007, the Pope\’s Apartment opened to visitors for the first time in two decades. These 11 rooms, the most lavish after the King\’s and Queen\’s Apartments, remain essentially as they were in the 1870s, with a mix of furnishings and art from earlier periods and Second Empire embellishments.';
Credit[20] = 'Photo: &copy;Jacques Guillard/SCOPE';

// article204-Forêt de Fontainebleau
Caption[21] = '<strong>The Oaks of Fontainebleau</strong> by Alexandre Desgoffe (c. 1850)';
Credit[21] = 'Private Collection, New York';
Caption[22] = '<strong>Le Rageur, Forest of Fontainebleau</strong> by Jean-Baptiste-Camille Corot (c. 1830)';
Credit[22] = 'Private Collection';
Caption[23] = '<strong>The Route to Chailly <em>(Pavé de Chailly)</em></strong> by Claude Monet (1865)';
Credit[23] = 'Ordrupgaard, Copenhagen';

// article205-Paris Guide 2008
Caption[24] = 'Dancers trip the light fantastic during a Bastille Day <em>bal,</em> one of the many held in arrondissements throughout Paris.';
Credit[24] = 'Photo: &copy;Fabien Charaffi/Paris Tourist Office';
Caption[25] = 'Treizeor bowties for dandy men and women by young French designer Alexis Mabille.';
Credit[25] = 'Photo: Alexis Mabille';
Caption[26] = 'Herv&eacute; Gambs\'s artificial "Rose Queen" look better than the real thing, with delicately nuanced colors hand-painted onto fabric.';
Credit[26] = 'Photo: Herv&eacute; Gambs 2008';
Caption[27] = 'Drawing on her New York experience, Caroline Rostang gave L\’Absinthe a relaxed, loft chic. The food too strives for excellence without pretension.';
Credit[27] = 'Photo: L\’Absinthe';

// article206-V&V Cahors Black Wine
Caption[28] = 'Cahors\’s signature “ring” glass and dark ruby color. ';
Credit[28] = 'Photo courtesy of UIVC';

// article207-Interview Kechiche
Caption[29] = 'Award-winning director Abdellatif Kechiche. ';
Credit[29] = 'Photo: &copy;Nicolas Guerin/Corbis';

// article208-Calendrier
Caption[30] = 'Yves Saint Laurent\’s wool herringbone suit (1978), on view in Montreal. ';
Credit[30] = 'Photo: Fondation Pierre Berg&eacute; - Yves Saint Laurent';
Caption[31] = '<strong>Dancer and Abonn&eacute; at the Op&eacute;ra</strong> by Jean-Louis Forain (c. 1925)';
Credit[31] = 'Photo: Private Collection';
Caption[32] = '<strong>Untitled work (No. 29)</strong> by Van Lieshout, part of the Guerlain Collection. ';
Credit[32] = 'Photo: The Florence & Daniel Guerlain Collection';
Caption[33] = '<strong>An Artist Painting in the Forest of Fontainebleau</strong> by Augustin Enfantin (c. 1825)';
Credit[33] = 'Photo: Private Collection';
Caption[34] = '<strong>Peasant Woman and Haystacks</strong> by Louis Paul Dessar (1892)';
Credit[34] = 'Photo: ID 348';
Caption[35] = 'Kurt Masur conducts the Orchestre National de France in a U.S. tour.';
Credit[35] = 'Photo: Sasha Gusov';
Caption[36] = 'The San Francisco Opera performs in the West Coast premiere of “The Little Prince.”';
Credit[36] = 'Photo: Carol Rosegg/The New York City Opera';
Caption[37] = 'Natalie Dessay is Marie in Donizetti\’s “La Fille du Régiment” at the Met.';
Credit[37] = 'Photo: Catherine Ashmore/Metropolitan Opera';

// article209-TEmps Modernes
Credit[38] = 'Illustration: G&eacute;rard Dubois';

// article210-Sons & Images
Caption[39] = 'Audrey Tautou and Gad Elmaleh in Pierre Salvadori\'s <em>Priceless.</em> ';
Credit[39] = 'Photo: &copy;Samuel Goldwyn Films. All rights reserved.';

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////////////////////////   FM 86   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index86-COVER
Caption[40] = 'The 18th-century Château d’Estoublon, in the heart of the Alpilles, has been extensively renovated in recent years. The revamped estate marries traditional Provençal charm with innovative products and creative marketing.';
Credit[40] = 'Photo courtesy of Château d’Estoublon';

// article 211-STREET SMARTS
Caption[41] = 'Bordeaux\’s famous Place de la Bourse is reflected in a new water feature, part of an extensive renovation of the city\’s historic waterfront.';
Credit[41] = 'Photo: &copy;Thomas Sanson/Mairie de Bordeaux';
Caption[42] = 'Some cities have made high design and art work part of the tram experience.<br><strong>Left to right:</strong> A Paris station by Jean-Michel Wilmotte; Jaume Piensa\’s sculptures for Nice\’s Place Masséna; Reims\’s “Champagne flute” tram.';
Credit[42] = 'Photos: Arnaud Terrier, Office du Tourisme & des Congrès de Nice, Alstom Transport/MDB Design';

// article 212-MARSEILLE
Caption[43] = 'Launched in 1996, the Euroméditerranée project is slowly transforming Marseille into the economic and cultural capital of the Mediterranean.<br>Massimiliano Fuksas\’s design for Marseille\’s new Euromed Center includes a multiplex cinema with a Gore-Tex “skin” that evokes dolphins and other marine animals; its white palette echoes the surrounding limestone landscape. Expected to open in 2011, the project will also include offices, shops, a four-star hotel and a garden.';
Credit[43] = 'Photo courtesy  of ForumInvest France and Euroméditerranée';
Caption[44] = 'An aerial view of the picturesque Panier.';
Credit[44] = 'Photo: &copy;J. Guillard/SCOPE';
Caption[45] = 'A fisherman reeling in his nets.';
Credit[45] = 'Photo: &copy;J. Guillard/SCOPE';

// article 213-COOL HUNTING
Caption[46] = 'Why do all bottles have to look alike? Believing their oils deserved better, Valérie Schneider-Reboul and her husband, Rémy Reboul, dreamed up Le Flacon; as its name indicates, it has the chic lines of an expensive perfume bottle.';
Credit[46] = 'Photo courtesy of Château d’Estoublon';
Caption[47] = '<strong>Left to right:</strong> Suites at La Ferme are contemporary yet rooted in Provençal style; Chef Loubet’s refined take on <em>moules marinière</em>; the sun-dappled terrace at La Bastide.';
Credit[47] = 'Photos: &copy;Côté Sud/B. Touillon/L. Botta, &copy;J. Guillard/SCOPE';

// article214-Sons & Images
Caption[48] = 'In “The Kitchen,” Elina Löwensohn panics at the idea of killing lobsters.<br>The short film is part of <em>L’Origine de la Tendresse and Other Tales.</em>';
Credit[48] = 'Photo: The World According to Shorts. All rights reserved.';

// article215-DELICES & SAVEURS
Credit[49] = 'Photo: &copy;J.-L. Barde/SCOPE';
Caption[50] = 'Seasonal strawberries are savored with everything from apéritifs to crêpes.';
Credit[50] = 'Photo: &copy;B. Galeron/SCOPE';

// article216-ART CONTEMPORAIN
Caption[51] = 'Situated near the Pompidou Center, Claude Berri\’s new art space opened with an exhibit of works by Gilles Barbier, whose wacky creations are inspired by comic books.';
Credit[51] = 'Photo courtesy of Claudine Colin Communication';
Caption[52] = '<strong>La Méga maquette (la chambre des fromage)</strong> by Gilles Barbier (2006)';
Credit[52] = 'Photo courtesy of J-C Lett, Marseille/Galerie GP & N Vallois, Paris';

// article217-DELICES & SAVEURS
Caption[53] = 'Angelin Preljocaj.';
Credit[53] = 'Photo: &copy;Virginie Clavières/SIPA';
Caption[54] = 'A scene from "L’Annonciation," an emotionally intense duet recounting the Archangel Gabriel\’s visit to the Virgin Mary.';
Credit[54] = 'Photo: &copy;JC Carbonne';
Caption[55] = 'Preljocaj directs a rehearsal of his latest creation, the mystical and almost mechanical “Eldorado,” set to a composition for five synthesizers by Karlheinz Stockhausen.';
Credit[55] = 'Photo: &copy;JC Carbonne';
Caption[56] = 'The 2004 ballet “N” explores the effects of war, biogenetic manipulation and violent video games on the body.';
Credit[56] = 'Photo: &copy;Virginie Clavières/SIPA';

// article218-Calendrier
Caption[57] = 'Pendant/brooch with female bust by René Lalique (c. 1900), on view this summer in <strong>Imperishable Beauty: Art Nouveau Jewelry</strong> at the Museum of Fine Arts, Boston.';
Credit[57] = 'Photo: Private collection/&copy;Museum of Fine Arts, Boston';
Caption[58] = 'Louise Bourgeois\’s painted wood sculpture “Femme Volage” (1951), on view at the Guggenheim.';
Credit[58] = 'Photo: Solomon R. Guggenheim Museum/&copy;Louise Bourgeois';
Caption[59] = 'Mary Cassatt\’s “Woman Reading” (1878-1879) is a highlight of “Women Impressionists.”';
Credit[59] = 'Photo: Joslyn Art Museum, Omaha, Nebraska';
Caption[60] = 'Christian Rizzo\’s untitled dance piece starring I-Fang Lang (right) makes its New York premiere in “Crossing the Line 2008.”';
Credit[60] = 'Photo: &copy;Caty Olive';
Caption[61] = 'Jean-Paul Vigiuer\’s design called for materials inspired by the area\’s deep green vegetation and thick glass panels to filter out the bright Texas light.';
Credit[61] = 'Photos: Jeff Goldberg/ESTO';

// article219-Temps Modernes
Caption[62] = 'Kad Merad and Dany Boon star in <em>Bienvenue chez les Ch’tis.</em>';
Credit[62] = 'Photo: &copy;Unifrance';


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////////////////////////   FM 87   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// Caption[64] = '';
// Credit[64] = 'Photo: &copy;';


// index87-COVER
Caption[63] = 'Zaha Hadid\'s sleek "Chanel Mobile Art," perched atop the Star Ferry Car Park in Honk Kong.';
Credit[63] = 'Photo: François Lacour';

// article 220-LACOSTE
Caption[64] = 'René Lacoste in 1938. An inventor as well as an international tennis star, he is most remembered for launching the polo shirt.';
Credit[64] = 'Photo: PHOTOX/Rights Reserved';
Caption[65] = 'Looks from Lacoste\’s Fall/Winter 2008-2009 collection, presented this past February at Bryant Park in New York City.';
Credit[65] = 'Photo: &copy;Dan & Corina Lecca';

// article 221-PICASSO UNDER THE INFLUENCE
Caption[66] = 'Picasso was haunted by Velázquez\’s renderings of the Infante Maria Margarita, which included the painting to the right (c. 1653) as well as the famous “Las Meninas.” Among his many interpretations of the theme is this vibrantly colored “Infante Margarita Maria,” painted in 1957.';
Credit[66] = 'Photo: Musée du Louvre/Paris, &copy;Succession Picasso 2008';
Caption[67] = 'The artist\’s bold pose in “Yo, Picasso” (1901) is reminiscent of other self-portraits he admired, among them Gauguin\’s “Autoportrait à la palette” (1893-94).';
Credit[67] = 'Photo: Museo de Bellas Artes/Seville, Private Collection; &copy;Succession Picasso 2008';
Caption[68] = 'Picasso\’s strangely distorted “Nu couché” 1967), sprawled vertically across a bed, still manages to recall its precedents in art history: Goya\’s “Maja Desnuda,” Manet\’s “Olympia” and Ingres\’s “Odalisque en grisaille” (1824-34), shown here.';
Credit[68] = 'Photo: &copy;Succession Picasso 2008; The National Gallery/London';

// article 222-THE ART OF LUXURY
Caption[69] = 'Chanel\’s “Mobile Art Gallery” by prize-winning architect Zaha Hadid features works inspired by the company\’s iconic quilted bag. Designed to travel the world, it touched down this October in New York’s Central Park. ';
Credit[69] = 'Photo: &copy;Zaha Hadid Architects';
Caption[70] = 'Zaha Hadid\’s ceramic sculpture interprets the famous “Bucket Bag” from Louis Vuitton.';
Credit[70] = 'Photo: &copy;Zaha Hadid Architects';
Caption[71] = 'The Palazzo Grassi was purchased by the Pinault Foundation in 2005 and renovated by Japanese architect Tadao Ando. Its maiden show featured contemporary and modern works from the Pinault Collection, including sculptures by Jeff Koons.';
Credit[71] = 'Photo: Visuels in Situ/&copy;Santi Caleca/Palazzo Grassi';
Caption[72] = 'LVMH helped bring works by Richard Serra to the Grand Palais this summer.';
Credit[72] = 'Photo: Collection Grand Palais/Didier Plowy;';

// article 223-RIVE GAUCHE REVIVAL
Caption[73] = 'Still under construction, Docks en Seine is already a dramatic presence on the Paris waterfront. A floating terrace and rooftop garden will complete the structure.';
Credit[73] = 'Photo: JAKOB + MACFARLANE';
Caption[74] = 'The undulating Passerelle Simone de Beauvoir was completed in 1996, linking Bercy on the Right Bank with the Mitterrand Library on the Left.';
Credit[74] = 'Photo: &copy;Philip Bourret';
Caption[75] = 'The François Mitterrand Library, designed by Dominique Perrault.';
Credit[75] = 'Photo: &copy;Paul Kozlowski';
Caption[76] = 'Rudy Ricciotti\’s sketches of his sci-fi design for a new mixed-use building.';
Credit[76] = 'Photo: Agence Rudy Ricciotti.';

// article 225-VINS & VIGNOBLES
Caption[77] = 'Drappier is the only Champagne house to offer so many different bottles, all specially made in Italy.';
Credit[77] = 'Photo courtesy of Champagne Drappier';

// article 228-TEMPS MODERNES
Credit[78] = 'Illustration: Annalaura Cantone';

// article 226-MODE
Caption[79] = 'Yves Saint Laurent';
Credit[79] = 'Photo: André Rau/Fondation Pierre Bergé-Yves Saint Laurent';
Caption[80] = ' “Yves Saint Laurent” features accessorized garments spanning the designer\’s 40-year career. From left to right: A muslin evening dress and coat embroidered with ostrich, rooster and pheasant feathers (1990); a dramatic fox-fur evening coat (1971); a silk gazar cocktail dress and wide-brimmed straw hat with sequin embroidery (1992); a suede ensemble including a tunic, head cover, gloves and thigh boots (1963).';
Credit[80] = 'Photos: Alexandre Guirkinger/Fondation Pierre Bergé-Yves Saint Laurent';
Caption[81] = 'The exhibition design showcases the dramatic palette and beautiful lines of Saint Laurent’s creations.';
Credit[81] = 'Photo: Denis Bernier/Fondation Pierre Bergé-Yves Saint Laurent';
Caption[82] = 'Saint Laurent had love in mind when he dashed off this sketch for a wedding gown for his Fall-Winter 1988 collection.';
Credit[82] = 'Photo: Denis Bernier/Fondation Pierre Bergé-Yves Saint Laurent';

// article227-CALENDRIER
Caption[83] = 'Denis Darzacq\’s surrealistic “La Chute 01” is one of the highlights of “I Kiffe NY.”';
Credit[83] = 'Photo: Denis Darzacq/Agence VU';
Caption[84] = 'Georges de la Tour\’s “The Card-Sharp (with Ace of Diamonds)” (c. 1635) is now on view in Atlanta.';
Credit[84] = 'Photo: Réunion des Musées Nationaux/Art Resources, NY';
Caption[85] = '“Moustapha\’s Feast,” a delightful illustration from “Babar\’s Cousin: That Rascal Arthur” (1946), featured at the Morgan Library and Museum in New York City.';
Credit[85] = 'Photo: The Morgan Library & Museum, Gift of Laurent de Brunhoff, 2004';

// article224-SONS & IMAGES
Caption[86] = 'Hafsi Herzi, featured in <em>The Secret of the Grain.</em>';
Credit[86] = 'Photo courtesy of Unifrance';


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