var Caption=new Array(250);
var Credit=new Array(250);

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////////////////////////   FM 88   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index88-COVER
Caption[0] = 'A detail from “Basket of Fruit: Oranges and Persimmons” (c. 1940), one of the stunning Pierre Bonnard still lifes on view this spring at the Metropolitan Museum of Art.';
Credit[0] = 'Private collection';

//  229 - GRASSE
Caption[1] = 'Jasmine, one of the essential ingredients in French perfume, is harvested in Grasse.';
Credit[1] ='Photo: ©Julio Donoso/Corbis Sygma';
Caption[2] = 'A perfumer inhales the fragrant steam emitted from a still.';
Credit[2] ='Photo: ©Julio Donoso/Corbis Sygma';
Caption[3] = 'The International Perfume Museum traces the history of perfumery through thousands of objects. Here, a porcelain jar of smelling salts (France, 19th century).';
Credit[3] ='Photo: ©Musée International de la Parfumerie - Grasse';
Caption[4] = 'The pride of the International Perfume Museum\’s collection is a travel case that once belonged to Marie-Antoinette. The huge mahogany box weighs 175 pounds, with compartments for assorted objects, including a porcelain tea service, a silver bed warmer, a sewing kit and crystal flasks for carrying the floral scents the queen loved, primarily rose and violet.';
Credit[4] ='Photo: Musée International de la Parfumerie - Grasse';

//  230 - BONNARD
Caption[5] = '“The French Window (Morning at Le Cannet)” (1932) is one of Bonnard\’s many depictions of his small house at Le Cannet. It contains many elements typical of the artist\’s late work, notably his wife Marthe, seated at the table in the foreground with an indistinguishable figure behind her, and a lush Mediterranean landscape seen through the window. ';
Credit[5] ='Photo: ©Acquavella Galleries, Inc.';
Caption[6] = 'The artist in front of one of his paintings, wearing his trademark wire-rimmed glasses.';
Credit[6] ='Photo: ©Albert Harlingue/Roger-Viollet';
Caption[7] = '“Young Women in the Garden (Renée Monchaty and Marthe Bonnard)” (c. 1921-23; reworked 1945-46) depicts the two women in Bonnard\’s life. His affair with Monchaty, interrupted by Marthe, led the former to commit suicide.';
Credit[7] ='Photo: ©Robert Lorenzson';
Caption[8] = '“Dining Room Overlooking the Garden (The Breakfast Room)” (1930-1931) is one of Bonnard\’s most characteristic interiors. The table is given nearly as much space as the leafy exterior seen through the tall windows. Marthe, the only human figure in the painting, appears almost as an afterthought.';
Credit[8] ='Photo: ©The Museum Of Modern Art/Licensed by Scala/Art Resource NY';
Caption[9] = '“Portrait of the Artist in the Bathroom Mirror (Self Portrait)” (1939-1945) shows an aging figure peering into the mirror above his bedroom sink.';
Credit[9] ='Photo: Collection Art Gallery of New South Wales/Sydney';

//  231 - COGNAC
Caption[10] = 'Martell\’s Création Grand Extra comes in a bottle as distinctive as the ultra-premium Cognac it contains.';
Credit[10] = 'Photo: Esprit de Luxe';
Caption[11] = 'Rémy Martin\’s gently rolling vineyards lie in the very heart of the prestigious Grande Champagne region.';
Credit[11] = 'Photo courtesy of Rémy Martin';
Caption[12] = 'Barrels of Courvoisier Petite and Grande Champagne age quietly in the house\’s expansive cellar in Jarnac. ';
Credit[12] = 'Photo: Metzger Studios';
Caption[13] = 'Unique packaging and bottle designs reflect the craftsmanship that goes into producing Cognac. Here, Camus Extra Elegance.';
Credit[13] = 'Photo courtesy of Camus';

//  232 - DELICES & SAVEURS - Le Saugeais
Caption[14] = 'The Brenod dairy cooperative produces the region\’s delicious Comté cheese.';
Credit[14] = 'Photo: CIGC/Bouveret';
Caption[15] = 'Rounds of Comté in an aging cellar.';
Credit[15] = 'Photo: CIGC/Studiovision';
Caption[16] = 'A Sauget “border guard” mans the frontier.';
Credit[16] = 'Photo: Laurent Vautrin';
Caption[17] = 'Smoked Morteau sausage, a Franche-Comté favorite.';
Credit[17] = 'Photo: ©SCOPE/J. Guillard';
Caption[18] = 'A Montbéliarde cow.';
Credit[18] = 'Photo: CIGC/Godin';

//  233 - CALENDRIER
Caption[19] = 'Corneille Van Clève\’s “Leda and the Swan” (c. 1680-1690), a highlight of “Cast in Bronze,” at New York\’s Metropolitan Museum of Art.';
Credit[19] = 'Photo: ©2008 Musée du Louvre/Pierre Philibert';
Caption[20] = 'Roland Daraspe\’s striking “Vase graine” (2002), on display at New York\’s FIAF.';
Credit[20] = 'Photo: Pam Francis';
Caption[21] = 'Corot transformed nature painting in works like “Houses near Orleans” (c. 1830), on view at L.A.\’s Getty Center.';
Credit[21] = 'Photo: The J. Paul Getty Museum, Los Angeles';
Caption[22] = 'Pablo Picasso\'s "The Acrobat Family," on view at the Baltimore Museum of Art.';
Credit[22] = 'Photo: Göteborgs Konstmuseum, Sweden';
Caption[23] = 'Tony Award–winning Rosemary Harris stars in "Oscar and the Pink Lady" at the Florence Gould Hall in New York City.';
Credit[23] = 'Photo: ©T Charles Erickson';
Caption[24] = 'Melody Herrara stars as Marie-Antoinette in “Marie,” a new ballet premiering in Houston.';
Credit[24] = 'Photo courtesy of French Institute/Alliance Française';

// 235-TEMPS MODERNES
Credit[25] = 'Illustration: Gary Clement';

//  236 - SONS & IMAGES
Caption[26] = 'Esméralda Ouertani and Rachel Régulier, featured in <em>The Class.</em>';
Credit[26] = 'Photo: Sony Pictures Classics';

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////////////////////////   FM 89   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index89-COVER
Caption[27] = 'An alfresco aperitif is a delicious beginning to a leisurely summer dinner with friends.';
Credit[27] = 'Photo: &copy;Jacques Guillard/SCOPE';

//  237 - BOLD BIJOUX
Caption[28] = 'This dramatic bracelet (1934) by <strong>Suzanne Belperron</strong> incorporates all the edgiest Art Deco jewelry trends: geometric lines and a combination of diamonds, platinum and rock crystal.';
Credit[28] ='Photo: Private collection, New York';
Caption[29] = '<strong>Jean Després</strong>  Ring, 1930<br>From the Bijoux Moteurs" collection; silver.';
Credit[29] ='Photo: Musée des Arts Décoratifs, Paris';
Caption[30] = '<strong>Cartier</strong>  Bracelet, 1937-1939<br>“Bracelet Boule”; gold, silver.';
Credit[30] ='Photo: Private collection, Paris';
Caption[31] = '<strong>Raymond Templier</strong>  Brooch, 1930<br>Grey gold, platinum, enamel, diamonds.';
Credit[31] ='Photo: Collection particulière';
Caption[32] = '<strong>Jean Fouquet</strong>  Brooch, 1925<br>White and yellow gold, onyx, lacquer, rock crystal, diamonds.';
Credit[32] ='Photo: The Toledo Museum of Arts, Toledo';
Caption[33] = '<strong>Jean Després</strong>  Pendant, 1932<br>Silver, gold, lacquer, citrine.';
Credit[33] ='Photo: Collection Stephanie Seymour Brant, courtesy of the Brant Foundation, &copy;Laurent Sully Jaulmes';
Caption[34] = '<strong>Jean Després</strong>  Brooch, 1930<br>“Connecting Rod” from the “Bijoux Moteurs” collection; silver.';
Credit[34] ='Photo: Musée des Arts Décoratifs, Paris';
Caption[35] = '<strong>Jean Després</strong>  Ring, 1937<br>Platinum, gold, diamonds, aquamarine.';
Credit[35] ='Photo: Musée des Arts Décoratifs, Paris';
Caption[36] = '<strong>Van Cleef & Arpels</strong>  Bracelet, 1931<br>From the “Chapeau Chinois” collection; gold.';
Credit[36] ='Photo: Collection Van Cleef & Arpels, Paris';

//  238 - A LUST FOR LACE
Caption[37] = 'Lace is very much of-the-moment, as witnessed by Shu Uemura\'s show-stopping false eyelashes.';
Credit[37] ='Photo: Mars Production Inc.';
Caption[38] = 'The new museum\’s impressive glass façade was inspired by the punch cards used to program Leavers machines.';
Credit[38] ='Photo: Agence Moatti Rivière';
Caption[39] = 'Rich with some 30,000 samples, the new Cité Internationale de la Dentelle et de la Mode highlights the entire history of lace. The locally produced Leavers lace occupies pride of place in the museum.';
Credit[39] ='Photo: &copy;A. Deswarte/Agence Moatti Rivière';
Caption[40] = 'Draftsmen create a pattern for a Dior dress evoking Delft porcelain.';
Credit[40] ='Photo: Noyon';
Caption[41] = 'The perforated cards used in Leavers looms create intricate lace patterns. ';
Credit[41] ='Photo: Gilles Rose/MBAD, Calais';
Caption[42] = 'Although machine-made, Leavers lace involves many skilled workers, including spoolers.';
Credit[42] ='Photo: Noyon';
Caption[43] = 'Calais has always been in the forefront of lace design, as evidenced by this charming 1926 Art Deco pattern.';
Credit[43] ='Photo: CIDM, Calais';
Caption[44] = 'Solstiss is known for its creative edge; the lace company collaborated with Baccarat on a barware collection.';
Credit[44] ='Photo: Baccarat';
Caption[45] = 'The museum\’s collections highlight masterpieces of Calais lace, including lingerie by Eva Rachline and Chantal Thomass.';
Credit[45] ='Photo: &copy;Kleinefenn 2007';
Caption[46] = 'Solstiss, which caters to upscale designers, has fashioned lace with subtle color gradations.';
Credit[46] ='Photo: CIDM, Calais';

//  239 - L'APÉRO!
Caption[47] = 'There is perhaps no better place to enjoy <i>l\’heure de l\’apéro</i> than in Provence, where lingering late-afternoon light, local olives and flavorful pastis set the stage for relaxed conversation.';
Credit[47] ='Photo: &copy;J. Guillard/SCOPE';
Caption[48] = 'Gloss de Suze, launched in 2005, combines cherry and ginger flavors.';
Credit[48] ='Photo: Cusenier-Caves Byrrh';
Caption[49] = 'Earlier this year, Noilly Prat vermouth was reintroduced to Americans as an aperitif meant to be sipped on its own—an ideal blend of crisp dryness, a hint of spice, a little something floral and a distinct wine flavor.';
Credit[49] ='Photo: Noilly Prat';
Caption[50] = 'Byrrh\’s new premium aged bottling; cacao, green orange and cinnamon are some of the botanicals woven into this wine-based drink.';
Credit[50] ='Photo: Cusenier-Caves Byrrh';
Caption[51] = 'Now that it is legal again, absinthe is enjoying a revival; part of its mystique derives from the ritual of pouring water onto a sugar cube set on a slotted spoon atop the absinthe glass.';
Credit[51] ='Photo: Maison 140';

//  240 - DELICES & SAVEURS - The Bourgeois Cuisine
Caption[52] = 'Locally grown produce is increasingly lauded as being tasty, healthy and eco-friendly.';
Credit[52] = 'Photo: &copy;Dirk Houben/Fotolia.com';
Caption[53] = '<img src="/images/articles/issue_89/89_DS_02.jpg"><br><br>First published in 1691, this book was one of the earliest attempts to cater to the home cook.';
Credit[53] = 'Photo courtesy of Enzo M.';

//  241 - MUSIQUE - Going for Baroque
Caption[54] = 'William Christie leads his famous Arts Florissants ensemble in a performance on September 7, 2007, at Versailles\’s Chapelle Royale. It was one of more than a hundred concerts held at the palace to celebrate the 20th anniversary of the Centre de Musique Baroque de Versailles. ';
Credit[54] = 'Photo: &copy;BALTEL/SIPA ';
Caption[55] = 'Noah Stewart and Sandra Piques Eddy star as Don José and Carmen in <i>La Tragédie de Carmen,</i> winner of the 1984 special Tony Award for Outstanding Achievement in Musical Theatre.';
Credit[55] = 'Photo: Liz Lauren ';

// 243-TEMPS MODERNES
Credit[56] = 'Illustration: Kanar/CartoonBase.com';

//  242 - CALENDRIER
Caption[57] = 'Gustave Caillebotte\’s “Oarsmen Rowing on the Yerres” (1877), on view at the Brooklyn Museum.';
Credit[57] = 'Photo: Private collection ';
Caption[58] = 'René Lalique\’s diamond, enamel and glass “Poppy Necklace” (circa 1900-1903), at San Francisco\’s Legion of Honor.';
Credit[58] = 'Photo courtesy of Mississippi Museum of Art';
Caption[59] = 'Raoul Dufy\’s “La console jaune” (1949) is a highlight of Jackson\’s “A Celebration of Beauty.”';
Credit[59] = 'Photo: &copy;Tim Thayer/Artists Rights Society, New York/ADAGP, Paris';
Caption[60] = 'Alina Cojocaru and Johan Kobborg star in the Royal Ballet of London\’s production of “Manon.”';
Credit[60] = 'Photo: Bill Cooper';

//  244 - SONS & IMAGES
Caption[61] = 'Jérémie Renier, Juliette Binoche and Charles Berling star in <em>Summer Hours.</em>';
Credit[61] = 'Photo: &copy;Jeannick Gravelines/IFC Films';

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////////////////////////   FM 90   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index90-COVER
Caption[62] = 'Arles\’s sleek Aux Bains du Calendal spa, with views of the ancient roman amphitheater.';
Credit[62] = 'Photo: &copy;Hervé Hote/Agence Caméléon';

//  245 - BEING BOLTANSKI
Caption[63] = 'Christian Boltanski';
Credit[63] ='Photo: Angelika Platen';
Caption[64] = '<strong>Monuments noirs (2009)</strong> and <strong>Mes Morts (2002)</strong> With its simple metal panels illuminated by neon lights, “Mes Morts” is a stark memento mori. The work reduces the lives of the artist\’s loved ones to their date of birth and death—a chilling reminder of one\’s ephemeral existence and the loss of memory. “Monuments noirs,” which premiered this spring in Lichtenstein, is a three-dimensional representation of the same idea, with the black monoliths standing in for the souls that have passed on.'
Credit[64] ='Photo courtesy Kunstmuseum, Vaduz, Liechtenstein.'
Caption[65] = '<strong>Les Suisses Morts (1990)</strong> and <strong>Menschlich (1994)</strong> “Menschlich” (Human) brings together all the photographs Boltanski has used in previous works: Jews and Nazis, missing children, dead Swiss—all sharing a common, fragile humanity. In the center of the room, “Les Suisses morts” is made up of stacked tin boxes bearing some 3,000 obituary photos. Boltanski acknowledges that the work is related to the Holocaust, but says that choosing the Swiss “means everybody dies. It\’s a work about vanity: We\’re all equal, all dust.”'
Credit[65] ='Photo courtesy Kunstmuseum, Vaduz, Liechtenstein.'

//  246 - ARLES
Caption[66] = '<em>An eclectic destination, Arles combines traditional pastimes with modern amenities.</em><br>Vasco Ascolini\’s “Villeneuve-lès-Avignon” (1990), part of the Musée Réattu\’s extensive photo collection.';
Credit[66] ='Photo courtesy of Réattu Museum, Arles';
Caption[67] = '<em>An eclectic destination, Arles combines traditional pastimes with modern amenities.</em><br>The corrida, a legacy of Spanish influences.';
Credit[67] ='Photo: Office du Tourisme d’Arles';
Caption[68] = '<em>An eclectic destination, Arles combines traditional pastimes with modern amenities.</em><br>Hôtel le Calendal\’s new spa, which overlooks the Roman amphitheater.';
Credit[68] ='Photo: Hervé Hote/Agence Caméléon';
Caption[69] = 'The impressive amphitheater, symbol of Arles\’s importance during the Roman Empire.';
Credit[69] ='Photo: &copy;D. Bounias/Office du Tourisme d’Arles';

//  247 - BLONDES, BRUNES, ROUSSES...
Caption[70] = 'Blondes, Brunes, Rousses... France\’s new artisanal beers are turning heads.';
Credit[70] ='Photo: &copy;Jacques Guillard/SCOPE';
Caption[71] = 'Hops.';
Credit[71] ='Photo: &copy;Envison/Corbis';
Caption[72] = 'Daniel Boulud\’s new DBDG in New York City features French craft beers paired with refined takes on brasserie fare. Shown here is “Toscan”: pan roasted Italian sausage, spicy garlic, olive oil, fennel and tomato, served with an amber beer.';
Credit[72] ='Photo courtesy of DBDG, New York City';
Caption[73] = 'Barley.';
Credit[73] ='Photo: &copy;John Wigmore/AGStock Images/Corbis';

//  252 - TEMPS MODERNES
Caption[74] = 'Harcourt immortalizes celebrities and wannabes alike. A beloved pet and a pair of siblings share the limelight with actors Jean Reno, Sabine Azéma and Fabrice Lucchini.';
Credit[74] ='Photos: Studio Harcourt';

//  249 - VOYAGES
Caption[75] = 'Little by little, the once desolate Bages has regained the convivial ambiance of a Médoc village.';
Credit[75] ='Photo courtesy of Lynch-Bages';
Caption[76] = 'An accordionist in front of Café Lavinal.';
Credit[76] ='Photo courtesy of Lynch-Bages';
Caption[77] = 'Artisanal breads at Le Baba d’Andréa.';
Credit[77] ='Photo courtesy of Lynch-Bages';
Caption[78] = 'Baskets woven on site by resident artisans.';
Credit[78] ='Photo courtesy of Lynch-Bages';

//  250 - EVENEMENT
Caption[79] = 'Madeleine Vionnet in 1937.<br><em>Background:</em> A 1935 evening gown illustrates Vionnet\’s masterful touch with draping, a technique she admired in the clothing of ancient Greece.';
Credit[79] ='Photos: &copy;Patrick Gries, &copy;Laure Al bin-Guillot/Roger-Viollet';
Caption[80] = 'Hundreds of photographs showing front, back and side views were taken to document copyrighted Vionnet creations. This gown is from the 1938 Winter collection.';
Credit[80] ='Photo: &copy;DR';
Caption[81] = 'An evening dress from the Winter 1938 collection.';
Credit[81] ='Photo: &copy;Patrick Gries';
Caption[82] = 'A 1939 cover of L’Officiel de la Mode featuring Léon Benigni\’s drawing of a Vionnet design.';
Credit[82] ='Photo courtesy of Musée des Arts Décoratifs';

//  251 - CALENDRIER
Caption[83] = 'Emanuel Gat shows off his amazing athleticism at New York\’s Lincoln Center.';
Credit[83] ='Photo: &copy;Cathy Peylan';
Caption[84] = 'A Ciborium (c.1200) by Master Alpais, a Limoges goldsmith, comes to Atlanta from the Louvre.';
Credit[84] ='Photo: &copy;Réunion des Musées Nationaux/Art Resource, NY';
Caption[85] = 'André Derain\’s “Portrait of Henri Matisse” (c. 1905), on view in Philadelphia.';
Credit[85] ='Photo: Philadelphia Museum of Art/ A. E. Gallatin Collection, 1952';
Caption[86] = 'A Picasso illustration accompanies Pierre Reverdy\’s “Le chant des morts” (1948) in “Picasso and the Allure of Language” at Duke University.';
Credit[86] ='Photo: &copy;2008 Estate of Pablo Picasso/Artists Rights Society (ARS), New York';
Caption[87] = 'Nathalie Baye has a gigolo habit in Cliente, part of the Boston French Film Festival.';
Credit[87] ='Photo: Gaumont';

//  248 - SONS & IMAGES
Caption[88] = 'Yolande Moreau won a best actress César for her title role in <em>Séraphine.</em>';
Credit[88] ='Photo: TS Production';

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////////////////////////   FM 91   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index91-COVER
Caption[89] = 'An Artisan at the Manufacture de Sèvres puts final touches on a charming biscuit porcelaine sculpture.';
Credit[89] = 'Photo: Manufacture Nationale de Sèvres';

//  253 - FOODING
Caption[90] = 'Le Fooding cultivates a youthful image by inviting edgy graphic designers to create artwork for its posters, menus, guidebooks and ads.';
Credit[90] ='Photo: &copy;Hélène Builly/www.luebleylhine.com, &copy;Christoph Niemann';

//  254 - SEVRES NOW AND THEN
Caption[91] = 'Innovative design and exquisite craftsmanship have been hallmarks of Sèvres porcelain since its founding in 1740.<br>LEFT: A gilded egg-shaped, soft-paste vase with a medallion of Queen Marie Antoinette (c. 1774).<br>RIGHT: The fanciful soft-paste “Shrimp” teapot designed by American ceramic artist Adrian Saxe, decorated by Gilles Bouttaz (1991).';
Credit[91] ='Photos: Baxter Buck, &copy;Réunion des Musées Nationaux/Art Ressource, NYC';
Caption[92] = '<strong>Waterleaf Ewer and Bowl (1759-1760).</strong> With its graceful lines, brilliant hues, dynamic starburst motifs and stylized water droplets, this rococo piece charmingly illustrates Sèvres\’s extraordinary craftsmanship during its early years. The Kakiemon-style painting is almost certainly by Charles-Nicholas Dodin; one of the factory\’s finest figure painters, he regularly decorated pieces for such prestigious clients as Louis XV and Madame de Pompadour.';
Credit[92] ='Photo: Richard P. Goodbody/Private collection';
Caption[93] = '<strong>Plate from the Egyptian service (1804).</strong> The sepia-toned images of this service were based on Vivant Denon\’s engravings made during Napoleon\’s Egyptian Campaign and published in Voyage dans la Basse et Haute Egypte (1802). His illustrations documented the Emperor\’s exploits and depicted scenes from daily life, launching a wave of Egyptomania in France. No fewer than seven such services were created between 1804-1845.';
Credit[93] ='Photo: National Museum of American History/Smithsonian Institution/Kenneth E. Behring Center';
Caption[94] = '<strong>“Diane” Plate (1969-70).</strong> In the 20th century, Sèvres commissioned works from international artists ranging from Jean Arp to Jim Dine. When Alexander Calder was invited to create a collection, he took a traditional Sèvres form known as the “Diane” and adorned an entire service with brightly colored balloon-like shapes. Since each plate is different, a different “painting” appears on the table whenever guests sit down to dinner.';
Credit[94] ='Photo: &copy;Réunion des Musées Nationaux/Art Ressource, NYC';
Caption[95] = '<strong>“Reform” Vase (1995).</strong> The noted Argentinean set designer/painter/decorator Richard Peduzzi, creator of this vase, is among the artists who have worked with the Atelier Experimental de Recherches et de Création, established in 1983 to foster collaboration between Sèvres and the most cutting-edge contemporary designers. Technically challenging, his geometric piece features the luminous colors typical of soft-paste porcelain.';
Credit[95] ='Photo: &copy;Réunion des Musées Nationaux/Art Ressource, NYC';

//  254 - PARIS VERT
Caption[96] = 'Now celebrating its 20th anniversary, the colorful organic market on boulevard Raspail has grown into a major event drawing regulars and visitors alike.';
Credit[96] ='Photo: &copy;Jacques Guillard/SCOPE';
Caption[97] = 'Located on the site of a former auto factory, the modernist Parc André Citroën reflects Paris\’s commitment to making green spaces an integral part of contemporary city life.';
Credit[97] ='Photo: &copy;David Lefranc/Office du Tourisme de Paris';
Caption[98] = 'Natural, handcrafted materials are used throughout the new Hidden Hotel, creating a restful retreat in the heart of the city.';
Credit[98] ='Photo: Serge Ramelli';
Caption[99] = 'Set in a mansion built by Napoleon III, the Premier Regent\’s Garden Hotel combines history and environmental awareness.';
Credit[99] ='Photo courtesy of Best Western Premier Regent\'s Gardens';
Caption[100] = 'The Hôtel Gavarni, the first independent Paris hotel to receive the Eco-label.';
Credit[100] ='Photo courtesy of Hôtel Gavarni';
Caption[101] = 'At Le Pain Quotidien, a tempting snack of organic ham, ricotta cheese, cream of artichokes, sun-dried tomatoes, olive paste and Parmesan shavings.';
Credit[101] ='Photo: Le Pain Quotidien';
Caption[102] = 'Cojean is Paris\’s premier chain of healthy fast-food eateries. Items such as wraps, sandwiches and salads can be bought to go or consumed in one of 15 bright, chic restaurants.';
Credit[102] ='Photo courtesy of Cojean';
Caption[103] = 'Cojean is Paris\’s premier chain of healthy fast-food eateries. Items such as wraps, sandwiches and salads can be bought to go or consumed in one of 15 bright, chic restaurants.';
Credit[103] ='Photo courtesy of Cojean';
Caption[104] = 'To celebrate the launch of the new “Recycled By” label, photographer Claire Riou did a photo shoot of models wearing the eco-friendly clothes in woodland settings.';
Credit[104] ='Photo: Recycled By';
Caption[105] = ' Now you can be an environmentalist right down to your underwear, thanks to Sophie Young\’s new G=9.8 label, which uses microfibers made from American pines.';
Credit[105] ='Photo courtesy of G=9.8';
Caption[106] = 'Clothing that says you love Mother Nature: a Campana Brothers design for Lacoste.';
Credit[106] ='Photo: Lacoste 2009';
Caption[107] = 'A Campana Brothers design for Lacoste benefiting endangered crocodiles and alligators.';
Credit[107] ='Photo: Pachacuti';
Caption[108] = 'Clothing that says you love Mother Nature: menswear by Article 23.';
Credit[108] ='Photo courtesy of Article 23';
Caption[109] = 'Repurposed <em>bijoux</em> from La Tonkinoise.';
Credit[109] ='Photo: Chantal Manoukian/La Tonkinoise';
Caption[110] = 'A Louise Fouin brooch, made from plastic bags.';
Credit[110] ='Photo courtesy of Louise Fouin';
Caption[111] = 'Etnies\’ first collection of 100 percent carbon-neutral sneakers is made from renewable materials; the whimsical footwear is sold by the über-hip Colette.';
Credit[111] ='Photo: Etnies/Colette';
Caption[112] = 'Mod8\’s Ekomik kid\’s shoe.';
Credit[112] ='Photo courtesy of Mod8';
Caption[113] = 'A leather bag from Matières à Réflexion.';
Credit[113] ='Photo: Matières à Réflexion';
Caption[114] = 'Alain Gilles\’s “Kylie” armchair, at Merci, is made from recycled plastic bottle caps.';
Credit[114] ='Photo: &copy;Bruno Cogez';

//  258 - TEMPS MODERNES
Caption[115] = 'François Truffaut on the set of <em>Les Deux Anglaises et le Continent</em> (1970).';
Credit[115] ='Photo: &copy;Etienne George/Sygma/Corbis';

//  257 - CALENDRIER
Caption[116] = 'Watteau\’s “Mezzetin” (c. 1718-1720), at the Met, serenades an invisible amour.';
Credit[116] ='Photo: The Metropolitan Museum of Art, Munsey Fund';
Caption[117] = 'Léon Bonvin\’s “Landscape with a Bare Tree and a Plowman” (1864), on view at the Getty.';
Credit[117] ='Photo: The J. Paul Getty Museum, Los Angeles';
Caption[118] = 'Marcel Duchamp\’s “Tonsure” (1919) is part of “Marcel Duchamp: Etant donnés.”';
Credit[118] ='Photo: &copy;Man Ray Trust/Artists Rights Society (ARS), NY/ADAGP, Paris';
Caption[119] = 'Henri Matisse\’s “Patitcha” (1947), featured in “Matisse as Printmaker.”';
Credit[119] ='Photo: &copy;2007 Succession H. Matisse, Paris/Artists Rights Society (ARS), New York';
Caption[120] = 'Isabelle Huppert plays the toxic Marquise de Merteuil in “Quartett,” part of the 2009 New Wave Festival.';
Credit[120] ='Photo: Pascal Victor';

//  256 - CHRISTOPHER HAMPTON
Caption[121] = 'Christopher Hampton.';
Credit[121] ='Photo: Bruce Glikas/FilmMagic';
Caption[122] = 'Christopher Hampton set the Broadway version of Yasmina Reza\’s <em>Le Dieu du Carnage</em> in Brooklyn rather than Paris. In this scene, the civil discussion between two couples played by (left to right) Marcia Gay Harden, Hope Davis, Jeff Daniels and James Gandolfini degenerates into aggressive confrontation.';
Credit[122] ='Photo: &copy;2009 Joan Marcu';

//  259 - SONS & IMAGES
Caption[123] = 'Alex Descas stars in <em>35 Shots of Rum.</em>';
Credit[123] ='Photo: Carole Bellaïche/Unifrance';

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
////////////////////////   FM 92   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index92-COVER
Caption[124] = 'Château Lafite Rothschild\’s underground barrel cellar, designed by Ricardo Bofill in 1986, is a landmark in Bordeaux winery architecture. In this image, the space provides a dramatic venue for a black-tie dinner hosted by the Conseil des Grands Crus Classés en 1855.';
Credit[124] = 'Photo: &copy;Cyril Le Tourneur d’Ison';

//  261 - RENOIR
Caption[125] = '<strong>Girl in Red Ruff (1896)</strong>';
Credit[125] ='Photo: Philadelphia Museum of Art';
Caption[126] = '<strong>La Toilette (Woman Combing her Hair) (c. 1907-1908)</strong> Nearly two decades elapsed between these paintings (left & center), whose similar subject matter affords an opportunity to observe the artist\’s stylistic evolution. In the later work, Renoir shows a woman engaged in an everyday activity rather than simply posing, thus infusing the painting with a new energy. His colors have also become more lush, and black is once again an important part of his palette.';
Credit[126] ='Photo: &copy;RMN/Herv&eacute; Lewandowski';
Caption[127] = '<strong>Head Of A Young Girl (c. 1890)</strong> Nearly two decades elapsed between these paintings (left & center), whose similar subject matter affords an opportunity to observe the artist\’s stylistic evolution. In the later work, Renoir shows a woman engaged in an everyday activity rather than simply posing, thus infusing the painting with a new energy. His colors have also become more lush, and black is once again an important part of his palette.';
Credit[127] ='Photo: National Gallery of Art/Washington, DC';
Caption[128] = '<strong>Two Girls Reading (c. 1890-1891)</strong> In the early 1890s, Renoir\’s scenes of sweet, elegant young girls contributed greatly to his commercial success. They are reminiscent of the genre paintings of Boucher, Fragonard and Watteau—part of Renoir\’s effort to develop a new pictorial style rooted in the work of earlier masters.';
Credit[128] ='Photo: Los Angeles County Museum of Art';

//  262 - EXTREME ESTATES
Caption[129] = 'Château Faugères\’s dramatic new winery in Saint-Emilion took shape from this sketch by the award-winning Swiss architect Mario Botta.';
Credit[129] ='Photo courtesy of Mario Botta';
Caption[130] = 'Jacques Garcia\’s design for Cos d’Estournel\’s bottle cellar captures the mystique created by the famous “Maharajah of Saint-Estèphe.”';
Credit[130] ='Photo: Guy Charneau';
Caption[131] = 'Château Faugères\’s new winery by Mario Botta shines like a beacon in the Saint-Emilion night sky. Inaugurated this past fall, it set a new standard for viticultural technology and design.';
Credit[131] ='Photo: Philippe Caumes';
Caption[132] = 'The voluminous chai at Château La Louvière is almost entirely underground, avoiding any aesthetic conflict with the stately 18th-century château, a national historic monument.';
Credit[132] ='Photo: &copy;Equivox';

//  263 - DELICES ET SAVEURS Cookbooks
Caption[133] = 'Edouard Loubet shares his intimate knowledge of Provençal seasons in his latest book, which draws on local produce to create dishes such as “Steamed John Dory with mint, marinated in olive oil, swelled oat flakes and crunchy vegetables, iced courgette soup.”';
Credit[133] ='Photo: &copy;SCOPE/J. Guillard';

//  265 - CALENDRIER
Caption[134] = 'A preparatory drawing for the fabulous “Bib Necklace” (1947), which was adorned with diamonds, amethysts and turquoise.';
Credit[134] ='Photo: &copy;Cartier/Archives';
Caption[135] = 'Mary Cassatt\’s “The Loge” (1882) is a highlight of the Chester Dale Collection, on view in Washington, DC.';
Credit[135] ='Photo: Chester Dale Collection';
Caption[136] = 'RIOULT performs “Bolero” at New York\’s Joyce Theater this winter.';
Credit[136] ='Photo: Basil Childers';

//  266 - TEMPS MODERNES
Caption[137] = 'Pierre Soulages poses next to one of his works at the Pompidou Center.';
Credit[137] ='Photo: &copy;AP Photo/Rémy de la Mauvinière';

//  264 - ART DE VIVRE
Caption[138] = 'A selection of classic blabla and Boogaloo dolls.';
Credit[138] ='Photo courtesy of blabla';
Caption[139] = '“Octavio” bird rattle.';
Credit[139] ='Photo courtesy of blabla';
Caption[140] = 'Wetterwald\’s drawings are the first step in the creation of new blabla characters such as the jaunty McNuttie the Squirrel.';
Credit[140] ='Photo courtesy of blabla';

//  267 - SONS & IMAGES
Caption[141] = 'Kevin Kline and Sandrine Bonnaire make the right moves in <em>Queen to Play.</em>';
Credit[141] ='Photo: &copy;2009 Liberation Entertainment, All Rights Reserved';

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
////////////////////////   FM 93   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index93-COVER
Caption[142] = '“Untitled Gold Monochrome” (1962) is among the many stunning paintings on view in the new Yves Klein retrospective at the Hirshhorn Museum and Sculpture Garden.';
Credit[142] = 'Photo: Yves Klein Archives/&copy;2010 Artists Rights Society (ARS), New York/ADAGP, Paris';

//  268 - METZ GOES MODERN
Caption[143] = 'Japanese architect Shigeru Ban\’s design for Pompidou-Metz was inspired by a hat he saw in a Paris shop.';
Credit[143] = 'Photo: arte factory';
Caption[144] = 'An architectural rendering of the voluminous nave.';
Credit[144] = 'Photo: arte factory';
Caption[145] = 'The timber structure with a pattern designed to evoke France\’s hexagonal shape.';
Credit[145] = 'Photo: arte factory';
Caption[146] = 'Architect Shigeru Ban.';
Credit[146] = 'Photo: &copy;Shigeru Ban Architects';

//  269 - SAN FRANCISCO'S ANNEE D'ORSAY
Caption[147] = '<strong>The Fife Player</strong> by Edouard Manet (1866)';
Credit[147] = 'Photo: &copy;RMN/Mus&eacute;e d’Orsay/Herv&eacute; Lewandowski';
Caption[148] = '<strong>The Birth of Venus</strong> by William-Adolphe Bouguereau (1879)';
Credit[148] = 'Photo: &copy;RMN/Mus&eacute;e d’Orsay/Herv&eacute; Lewandowski';
Caption[149] = '<strong>Women at the Well</strong> by Paul Signac (1892)';
Credit[149] = 'Photo: &copy;RMN/Mus&eacute;e d’Orsay/Herv&eacute; Lewandowski';
Caption[150] = '<strong>The Bridge at Maincy, near Melun</strong> by Paul Cézanne (c. 1879)';
Credit[150] = 'Photo: &copy;RMN/Mus&eacute;e d’Orsay/Herv&eacute; Lewandowski';

//  270 - FRIENDING FRENCH CULTURE
Caption[151] = 'Votive candles light the way for guests arriving at the American Friends of the Louvre\’s fundraiser <em>cum</em> rock concert.';
Credit[151] = 'Photo: &copy;Nadine Froger Photography';
Caption[152] = 'Houston\’s Becca Cason Thrash organized the 2008 Liaisons au Louvre, a three-day extravaganza that raised funds to restore the museum\’s decorative arts gallery. The event featured a rock concert under I.M. Pei\’s Pyramid.';
Credit[152] = 'Photo: &copy;St&eacute;phane Cardinale/People Avenue/Corbis';
Caption[153] = 'A-listers stroll through the Hall of Mirrors during the Bal Marie Antoinette, the culmination of a week of festivities organized by the American Friends of Versailles.';
Credit[153] = 'Photo: Jeffrey Hirsch/newyorksocialdiary.com';
Caption[154] = 'The Pompidou Foundation marked its U.S. launch with the show “French Modern Sources” at Art Basel Miami Beach (2006).';
Credit[154] = 'Photo courtesy of the Centre Pompidou Foundation';
Caption[155] = 'The AFPOB got its start bringing performers from the French Opera Ballet to the United States; now it also helps send Americans to France. This picture: the company performed “La Bayadère” (1992-1993) at the Palais Garnier.';
Credit[155] = 'Photo: Jacques Moatti';
Caption[156] = 'An aerial view of the magnificent Château de Chantilly and its grounds.';
Credit[156] = 'Photo: Jean-Louis Aubert';
Caption[157] = 'Blérancourt is the world\’s only museum devoted to French-American cooperation. On this picture, the château\’s restored gatehouse pavilions.';
Credit[157] = 'Photo: &copy;Jacques Guillard/Scope';
Caption[165] = 'The AFCDC underwrote the restoration of a splendid chandelier in the Petit Théâtre built under Louis Philippe.';
Credit[165] = 'Photo: Marc Poirier';
Caption[166] = 'The Virgin gracing the South Portal\'s central lancet window is resplendent following her restoration courtesy of the AFC.';
Credit[166] = 'Photo: Gilles Fresson/Rectorat de la Cathédrale';
Caption[167] = 'Versailles\'s gleaming Royal Gate was re-created by the expert craftsmen of the Fondation de Coubertin.';
Credit[167] = 'Photo courtesy of The American Friends of Coubertin';


//  271 - SONS & IMAGES
Caption[171] = 'Lyes Salem, Sarah Reguieg and Mohamed Bouchaïd star in <em>Masquerades.</em>';
Credit[171] = 'Photo courtesy of the Global Film Initiative';

//  272 - INTERVIEW VIGNON
Caption[159] = 'Charlotte Vignon in The Frick Collection\’s Fragonard Room, famous for its lusciously painted 18th-century panels and rare antiques.';
Credit[159] = 'Photo courtesy of the Frick Collection';

//  273 - RETROSPECTIVE KLEIN
Caption[160] = 'Yves Klein in 1961.';
Credit[160] = 'Photo: Charles Wilp/&copy;2010 Artists Rights Society (ARS), New York/ADAGP, Paris';
Caption[161] = '<strong>“Blue Globe,” 1961.</strong> Klein was fascinated by pigments and believed that each had strong associations for the viewer. For him, blue was the portal to space, to the immaterial.';
Credit[161] = 'Photo: Yves Klein Archives/&copy;2010 Artists Rights Society (ARS), New York/ADAGP, Paris';
Caption[162] = 'Klein sometimes used drama and humor to convey his ideas of “immaterial sensibility.” In this picture, some 100 guests attired in black tie look on as Klein\’s models cover themselves in International Klein Blue before pressing their bodies against paper. In the background, an orchestra performs Klein\’s “Monotone Symphony”—a single note played for 20 minutes followed by 20 minutes of silence (what the artist called “audible silence”). Staged on March 9, 1960, at a Paris art gallery, the event prefigured both performance art and conceptual art.';
Credit[162] = 'Photo: Shunk-Kender/&copy;2010 Artists Rights Society (ARS), New York/ADAGP, Paris/&copy;Roy Lichtenstein Foundation';
Caption[163] = '<strong>“Anthropométrie sans titre (ANT 127),” 1960.</strong> Anthropometry paintings were made by models that Klein called “living paintbrushes.”';
Credit[163] = 'Photo: Yves Klein Archives/&copy;2010 Artists Rights Society (ARS), New York/ADAGP, Paris';

//  274 - CALENDRIER
Caption[164] = 'Matisse\’s iconoclastic “Flowers and Ceramic Plate” (1913) is one of the canvases on view at the Art Institute of Chicago.';
Credit[164] = 'Photo: &copy;2010 Succession H. Matisse / Artists Rights Society (ARS), New York';
Caption[168] = 'Yona Friedman\’s “Ville Spatiale” (1959-1960) inspired an exhibit of the same name; it travels from Milwaukee to Chicago this spring.';
Credit[168] = 'Photo: François Lauginie/Collection Frac Centre';
Caption[169] = 'Pages from Mein Kampf were deconstructed by Philippe Marchand and Sylvie Charrier for Linda Ellia\’s Notre Combat project (2007).';
Credit[169] = 'Photo courtesy of the Contemporary Jewish Museum/Philippe Marchand & Sylvie Charrier';
Caption[170] = 'A detail from “Triumphal Entry into Babylon,” a collaboration between Charles Le Brun and Gérard Audran; the work is displayed at the Getty.';
Credit[170] = 'Photo: Research Library, The Getty Research Institute, Los Angeles, California (2003.PR.33)';

//  275 - TEMPS MODERNES
Caption[158] = 'A view of Notre-Dame shows flood waters engulfing the top of a lampost. (January 1910)';
Credit[158] = 'Photo: &copy;Roger-Viollet';

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
////////////////////////   FM 94   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index94-COVER
Caption[159] = 'A dress from Sophie Théallet\’s Spring/Summer 2010 collection exemplifies her signature approach: technical rigor underpinning easy-to-wear designs.';
Credit[159] = 'Photo: &copy;Dan & Corina Lecca';

//  284 - TEMPS MODERNES
Caption[160] = 'The genial Henri IV, seen in this famous 17th-century portrait, brought greater tolerance and prosperity to his war-bedeviled country.';
Credit[160] = 'Photo: &copy;Musée de Grenoble';

//  283 - CALENDRIER
Caption[161] = 'A child clutches a loaf of some of the first bread baked after the war in this 1919 photograph from “American Women Rebuilding France.”';
Credit[161] = 'Photo: &copy;RMN/Gérard Blot';
Caption[162] = 'RADI Designers\’ “Whippet” bench (1998) is part of “European Design since 1985.”';
Credit[162] = 'Photo: Collection of the Indianapolis Museum of Art, RADI Designers';
Caption[163] = 'Yves Klein\’s intensely blue sponge sculptures and paintings are on display at the Hirshhorn Museum in Washington, DC.';
Credit[163] = 'Photo: The Hirshhorn Museum, Washington, DC';
Caption[164] = 'Henri Edmond Cross\’s “La Chevelure” (c. 1892) is one of the Impressionist masterworks on view at the de Young Museum.';
Credit[164] = 'Photo: &copy;RMN/Hervé Lewandowski';
Caption[165] = 'Matisse\’s “The Studio, quai Saint Michel” (1917) is featured in MoMA\’s “Matisse: Radical Invention.”';
Credit[165] = 'Photo: The Phillips Collection, Washington, DC';

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
////////////////////////   FM 94   //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index94-COVER
Caption[179] = 'A dress from Sophie Théallet\’s Spring/Summer 2010 collection exemplifies her signature approach: technical rigor underpinning easy-to-wear designs.';
Credit[179] = 'Photo: &copy;Dan & Corina Lecca';

//  284 - TEMPS MODERNES
Caption[172] = 'The genial Henri IV, seen in this famous 17th-century portrait, brought greater tolerance and prosperity to his war-bedeviled country.';
Credit[172] = 'Photo: &copy;Musée de Grenoble';

//  283 - CALENDRIER
Caption[173] = 'A child clutches a loaf of some of the first bread baked after the war in this 1919 photograph from “American Women Rebuilding France.”';
Credit[173] = 'Photo: &copy;RMN/Gérard Blot';
Caption[174] = 'RADI Designers\’ “Whippet” bench (1998) is part of “European Design since 1985.”';
Credit[174] = 'Photo: Collection of the Indianapolis Museum of Art, RADI Designers';
Caption[175] = 'Yves Klein\’s intensely blue sponge sculptures and paintings are on display at the Hirshhorn Museum in Washington, DC.';
Credit[175] = 'Photo: The Hirshhorn Museum, Washington, DC';
Caption[176] = 'Henri Edmond Cross\’s “La Chevelure” (c. 1892) is one of the Impressionist masterworks on view at the de Young Museum.';
Credit[176] = 'Photo: &copy;RMN/Hervé Lewandowski';
Caption[177] = 'Matisse\’s “The Studio, quai Saint Michel” (1917) is featured in MoMA\’s “Matisse: Radical Invention.”';
Credit[177] = 'Photo: The Phillips Collection, Washington, DC';

//  276 - S&I
Caption[178] = 'Guillaume Canet and Emir Kusturica star in <em>Farewell.</em>';
Credit[178] = 'Photo: &copy;NeoClassics Films';

//  277 - VACANCES
Caption[179] = ' ';
Credit[179] = 'Photo: &copy;Bryan F. Peterson/CORBIS';
Caption[180] = 'Michelin launched its Red Guide in 1900 and its Green Guide in 1926. In the years since, the tire company\’s travel business has grown to include hundreds of maps and books, Web-based products and offerings for mobile phone.';
Credit[180] = 'Photo courtesy of Michelin';

//  278 - LITTERATURE
Caption[181] = '"One Hundred Great French Books" by Lance Donaldson-Evans (BlueBridge, 2010)';
Credit[181] = 'Photo courtesy of BlueBridge';
Caption[182] = 'Lance Donaldson-Evans’s book recommends highbrow lit but also popular favorites such as <em>Astérix<em> and </em>Le Petit Prince.</em> Top row: Simone de Beauvoir, Jean de la Fontaine, Astérix, Emile Zola. Middle row: Albert Camus, Michel de Montaigne, Marguerite Yourcenar, Victor Hugo. Bottom row: Marguerite de Navarre, Jules Verne, Antoine de Saint-Exupéry, Marguerite Duras.';
Credit[182] = ' ';

//  279 - THEALLET
Caption[183] = 'Sophie Théallet in her former Brooklyn apartment-cum-atelier.';
Credit[183] = 'Photo: &copy;Stan Honda/Getty Images';
Caption[184] = 'Sophie Théallet’s Fall/Winter 2010 collection offers a “country chic” look that references folklore and princess dresses.';
Credit[184] = 'Photo courtesy of Sophie Théallet';
Caption[185] = 'Sophie Théallet receiving the 2009 Council of Fashion Designers of America / Vogue Fashion Fund award';
Credit[185] = 'Photo: &copy;Dimitrios Kambouris/Getty Images';
Caption[186] = 'Sophie Théallet’s Fall/Winter 2010 collection offers a “country chic” look that references folklore and princess dresses.';
Credit[186] = 'Photos: &copy;Dan & Corina Lecca';
Caption[187] = 'Sophie Théallet’s Web site echoes her creativity with this slick photo by Leda & St. Jacques and a haunting remake of Gershwin’s “Summertime” by Henri Scars Struck.';
Credit[187] = 'Photo: &copy;Leda & St. Jacques/Rodeo Production';

//  280 - SAILOR CHIC
Caption[188] = 'Jean Paul Gaultier has an abiding passion for sailor stripes. Here he poses in the hallway of the ELLE Décoration apartment at Paris\’s Cité de l’Architecture, which he recently swathed in the iconic blue-and-white fabric.';
Credit[188] = 'Photo: &copy;Julien Hekimian';
Caption[189] = 'A circa 1900 photo of French sailors wearing <em>marinières</em> (the fellow to the right also sports a <em>vareuse).</em>';
Credit[189] = 'Photo: MNM Fonds Carte Postale';
Caption[190] = 'Saint James\'s fresh take on the <em>marinière.</em>';
Credit[190] = 'Photo courtesy of Saint James.';
Caption[191] = 'Over the years, top couturiers have revisited the nautical theme. Here, a seaworthy look from Gaultier (Fall/Winter 2009-2010).';
Credit[191] = 'Photo: &copy;Patrick Stable/JeanPaul Gaultier';

//  281 - BEAUTY'S SECRETS
Caption[192] = ' ';
Credit[192] = 'Illustration: Sam Wilson';

//  282 - FASHION REWIND
Caption[193] = 'Dorothée Bis - RTW Spring/Summer 1977';
Credit[193] = 'Photo: &copy; Guy Marineau';
Caption[194] = 'Jean-Charles de Castelbajac - RTW Spring/Summer 1984';
Credit[194] = 'Photo: &copy; Guy Marineau';
Caption[195] = 'Azzedine Alaïa - RTW Spring/Summer 1989';
Credit[195] = 'Photo: &copy; Guy Marineau';
Caption[196] = 'Yves Saint Laurent - HC Spring/Summer 1978';
Credit[196] = 'Photo: &copy; Guy Marineau';
Caption[197] = 'Yves Saint Laurent - HC Summer 1971';
Credit[197] = 'Photo courtesy of the Fondation Pierre Bergé/Yves Saint Laurent';
Caption[198] = 'Cacharel - RTW Fall/Winter 1975-1976';
Credit[198] = 'Photo: &copy; Jean-Luce Huré';
Caption[199] = 'Thierry Mugler - RTW Fall/Winter 1984-1985';
Credit[199] = 'Photo: &copy; Guy Marineau';
Caption[200] = 'Jean-Charles de Castelbajac - RTW Fall/Winter 1985';
Credit[200] = 'Photo: &copy; Guy Marineau';
Caption[201] = 'Azzedine Alaïa - RTW Fall/Winter 1989';
Credit[201] = 'Photo: &copy; Guy Marineau';

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