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//////////////////////// FM 98 //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index98-COVER
Caption[1] = 'Beach cabanas have been part of the Le Havre landscape since the 19th century.';
Credit[1] = 'Photo: ©Le Havre Tourisme';
// 306-GAULTIER
Caption[2] = 'After more than three decades in the fashion industry, Jean Paul Gaultier is still earning kudos for his groundbreaking collections. Seen here sporting a faux mohawk, he shares a gleeful moment with model Farida Khelfa at January\’s hugely successful “Punk Cancan” haute couture show.';
Credit[2] = 'Photo: P. Stable';
Caption[3] = 'Circé ensemble modeled by Dita Von Teese; photographed by Perou for Flaunt magazine, 2003. “Buttons” collection - Haute couture S/S 2003.';
Credit[3] = 'Photo: ©Perou';
Caption[4] = 'Jean Paul Gaultier Classique eau de toilette.';
Credit[4] = 'Photo: ©Jean Paul Gaultier';
Caption[5] = 'Gaultier\’s sketch of Madonna\’s stage costume for the Blond Ambition World Tour, 1989-1990.';
Credit[5] = 'Photo: ©Jean Paul Gaultier';
// 307-LUTETIA BY THE SEA
Caption[6] = 'Glowing ocher in the late afternoon sunlight, Le Havre\’s neoclassical city center—reconstructed after WWII by Auguste Perret—was named a UNESCO World Heritage Site in 2005.';
Credit[6] = 'Photo: ©E. Levilly';
Caption[7] = 'Le Havre\’s near total destruction during WWII has made it fertile ground for contemporary architecture. Clockwise, from top left: The children\’s pool at the public swimming complex (2008) designed by architect Jean Nouvel; the “Volcano” cultural center (1982) conceived by Oscar Niemeyer, famous for designing the city of Brasilia; a dramatic interior view of Perret\’s Eglise Saint-Joseph (1957).';
Credit[7] = 'Photos: ©Guy Isaac, ©Pierre Marilly, ©Philippe Bréard.';
Caption[8] = 'Le Havre\’s near total destruction during WWII has made it fertile ground for contemporary architecture. Clockwise, from top left: The children\’s pool at the public swimming complex (2008) designed by architect Jean Nouvel; the “Volcano” cultural center (1982) conceived by Oscar Niemeyer, famous for designing the city of Brasilia; a dramatic interior view of Perret\’s Eglise Saint-Joseph (1957).';
Credit[8] = 'Photos: ©Guy Isaac, ©Pierre Marilly, ©Philippe Bréard.';
Caption[9] = 'Le Havre\’s near total destruction during WWII has made it fertile ground for contemporary architecture. Clockwise, from top left: The children\’s pool at the public swimming complex (2008) designed by architect Jean Nouvel; the “Volcano” cultural center (1982) conceived by Oscar Niemeyer, famous for designing the city of Brasilia; a dramatic interior view of Perret\’s Eglise Saint-Joseph (1957).';
Credit[9] = 'Photos: ©Guy Isaac, ©Pierre Marilly, ©Philippe Bréard.';
// 308-FRAGILE BEAUTIES
Caption[10] = '“Grande Libellule” hood ornament, 1928 [detail]';
Credit[10] = 'Photo: ©Andy Small – John Nemeth Collection 2010';
Caption[11] = 'Lalique\’s 2011 collection celebrates Yves Klein\’s take on the “Winged Victory of Samothrace” with a life-sized reproduction of the famous statue.';
Credit[11] = 'Photo: ©Lalique SA';
Caption[12] = 'Cire perdue crystal decanter for Macallan, 2010.';
Credit[12] = 'Photo: ©All Rights Reserved/The Macallan';
Caption[13] = 'Workers in Lalique\’s factory change a furnace pot, the clay crucible in which lead crystal is melted.';
Credit[13] = 'Photo: ©Lalique SA';
// 311-CALENDRIER
Caption[14] = 'Niki de Saint Phalle\’s “Nana on a Dolphin” (1998) adds a cheerful note to Washington DC\’s New York Avenue.';
Credit[14] = 'Photo: Rachel Beamer';
Caption[15] = '“The Whore of Babylon Dresses the Part,” by Loyset Liédet and his workshop (c. 1470) is a highlight of “Illuminating Fashion.”';
Credit[15] = 'Photo: The Morgan Library & Museum, NYC';
Caption[16] = ' Franz Bischoff\’s “Gold Rimmed Rocks and Sea” (c. 1925) is featured in the Crocker Art Museum\’s “Summer of Impressionism.”';
Credit[16] = 'Collection of Paul and Kathleen Bagley';
Caption[17] = 'Aurélia Bellet of 3e Étage performs at the Jacob\’s Pillow Dance Festival.';
Credit[17] = 'Photo: Steve Murez';
// 312-TEMPS MODERNES
Caption[18] = 'Despite the Champs-Elysées\’ recent transformation, it remains the avenue of choice for such popular events as the Tour de France.';
Credit[18] = 'Photo: ©Eric Lalmand/EPA/Corbis';
// 310-INTERVIEW TSF
Caption[19] = 'TSF can arrive at disaster sites within 24 hours; here, a refugee reconnecting with family during the 2004 war in Chad.';
Credit[19] = 'Photo: Télécoms Sans Frontières';
Caption[20] = 'TSF founder Jean-François Cazenave with children in Niger during the 2005 famine.';
Credit[20] = 'Photo: Télécoms Sans Frontières';
// 309-S&I Summer 2011
Caption[21] = 'Sara Forestier in The Names of Love.';
Credit[21] = 'Photo: Music Box Films';
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//////////////////////// FM 99 //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index99-COVER
Caption[22] = '“Clouds” (2002) by Ronan and Erwan Bouroullec is one of the brothers\’ many designs consisting of modules that may be assembled in countless ways.';
Credit[22] = 'Photo: ©Ronan et Erwan Bouroullec';
// 314-BOUROULLEC
Caption[23] = 'Ronan and Erwan Bouroullec';
Credit[23] = 'Photo: ©Ola Rindal';
Caption[24] = 'Algues 2004, Vitra Functioning as a room divider or wall hanging, “Algues” reflects the Bouroullecs\’ predilection for designs that can be customized by the buyer. Inspired by seaweed, the product features branch-like components that can be snapped together and assembled into an infinite variety of forms.';
Credit[24] = 'Photo: ©Paul Tahon';
Caption[25] = 'Assemblage 3 2004, Prototype, Galerie Kreo This multipurpose piece is part of a series that explores the creation of “atmospheres” for objects on display.';
Credit[25] = 'Photo: ©Paul Tahon and R & E Bouroullec';
Caption[26] = 'Lit Clos 2000, Limited Edition, Galerie Kreo A nod to the traditional raised beds of the Bouroullecs\’ native Brittany, the “Lit Clos” carves out a private sleeping area for people who live and work in the same open-plan space.';
Credit[26] = 'Photo: ©Morgane Le Gal';
// 316-PLEYEL
Caption[27] = 'Artist Marco Del Re\’s “Cariatide”(2006) is a nod to Pleyel\’s Art Deco period. The designs engraved into layers of black lacquer echo the motif he used that same year to decorate the foyer of the newly renovated Salle Pleyel.';
Credit[27] = 'Photo: ©Pleyel';
Caption[28] = 'Michele De Lucchi produced many sketches before arriving at the final design for his arresting “Lirico” (2011)';
Credit[28] = 'Photo: ©Pleyel';
Caption[29] = '“Lirico” 2011, Michele de Lucchi The 80-inch baby grand, whose gracefully curved legs suggest easels, was produced by artisans at Pleyel\’s factory in Saint-Denis, north of Paris.';
Credit[29] = 'Photo: ©Pleyel';
Caption[30] = 'From left to right: A craftsman assembles the case; varnish is applied to the distinctive light-wood legs; an expert carefully tunes the instrument.';
Credit[30] = 'Photo: ©Pleyel';
Caption[31] = 'From left to right: A craftsman assembles the case; varnish is applied to the distinctive light-wood legs; an expert carefully tunes the instrument.';
Credit[31] = 'Photo: ©Pleyel';
Caption[32] = 'From left to right: A craftsman assembles the case; varnish is applied to the distinctive light-wood legs; an expert carefully tunes the instrument.';
Credit[32] = 'Photo: ©Pleyel';
Caption[33] = 'Michele De Lucchi';
Credit[33] = 'Photo: ©Pleyel';
// 315-MOBILIER NATIONAL
Caption[34] = 'The Prime Minister\’s office at the Hôtel Matignon showcases French furnishings from several centuries.';
Credit[34] = 'Photos: ©Service de Communnication/Matignon';
Caption[35] = 'The furniture workshop takes in worn chairs, sofas and other pieces from ministries and embassies around the world, restoring them to their former glory before dispatching them for another tour of duty.';
Credit[35] = 'Photo: ©Sophie Zénon';
Caption[36] = 'A worker restoring an antique tapestry.';
Credit[36] = 'Photo: ©Lawrence Perquis';
Caption[37] = 'Skeins of wool dyed on the premises for use in repairs.';
Credit[37] = 'Photo: ©Sophie Zénon';
Caption[38] = 'Thousands of pieces of furniture fill the Mobilier National\’s vast storage rooms.';
Credit[38] = 'Photo: ©Sophie Zénon';
// 319-TEMPS MODERNES
Caption[39] = 'Historian and economist Jacques Marseille';
Credit[39] = 'Photo: ©IBO/SIPA';
// 318-CALENDRIER
Caption[40] = 'Guy de Rougemont\’s sculptural “Archipelago” table (2011), on view at the Pavillon des Arts et du Design (PAD) in New York.';
Credit[40] = 'Photo: Galerie Diane de Polignac';
Caption[41] = 'Eugène Delacroix\’s dramatic studies for “La Mort de Sardanapale” are on display in “Drawings from the Louvre.”';
Credit[41] = 'Photo: ©RMN/Franck Raux';
Caption[42] = 'An homage to Josephine Baker, Hugo Robus\’s “Blackbottom” (1925) is part of “Rodin and America.”';
Credit[42] = 'Photo courtesy of Forum Gallery';
Caption[43] = '“Mooring Lines, the Effect of Snow at Saint-Cloud” (1879) by Alfred Sisley.';
Credit[43] = 'Photo: Philadelphia Museum of Art: Gift of Chara C. and the late John C. Haas';
// 317-S&I FALL 2011
Caption[44] = 'Fabrice Luchini and Natalia Verbeke star in The Women on the 6th Floor.';
Credit[44] = 'Photo: ©Jean-Marie Leroy';
// 320-CULTURE FALL 2011
Caption[45] = 'Yayoi Kusama\’s unsettling “The Moment of Regeneration” (2004)—a mixed-media work of fabric, wood, polyurethane and paint—is part of a major exhibit on the Japanese artist at the Centre Pompidou.';
Credit[45] = 'Photo: Keiko Kioku';
Caption[46] = '“Rythme” (1938), Sonia Delaunay\’s traveling masterpiece.';
Credit[46] = 'Photo: ©Succession Delaunay';
Caption[47] = 'Pablo Picasso\’s “Two Women Seated at a Bar” (1902) is among the canvases collected by the Stein family now on view at the Grand Palais.';
Credit[47] = 'Photo: ©Giraudon/Art Resource';
Caption[48] = 'Georg Baselitz\’s “Volk Ding Zero” (2009), one of 40 sculptures on exhibit at the Musée d\’Art Moderne de la Ville de Paris.';
Credit[48] = 'Photo: Jochen Littkemann/©Georg Baselitz';
Caption[49] = 'Cézanne\’s “Poteries, tasse et fruits sur nappe blanche” is among the works the Provençal artist produced in Paris, now showcased at the Musée du Luxembourg.';
Credit[49] = 'Photo: ©The Metropolitan Museum of Art/RMN/Grand Palais/Malcolm Varon';
Caption[50] = 'Charlotte Rudolph\’s “Gret Palucca im Sprung” (c. 1922-1923) animates “Danser sa vie.”';
Credit[50] = 'Photo: ©ADAGP, Paris 2011';
Caption[51] = 'Cuban artist Adrian Fernandez Milanes participates in Quai Branly\’s “Photoquai” with his “Del Ser o del Parecer” series (2009-2011).';
Credit[51] = 'Photo: ©Adrian Fernandez Milanes/Musée du Quai Branly/Photoquai 2011';
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//////////////////////// FM 100 //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
// index100-COVER
Caption[52] = 'A collage by the multitalented three-star chef Alain Passard. His exuberant art work set the tone and palette for the design of our 100th issue, a delicious celebration of food and wine.';
Credit[52] = 'Illustration: Alain Passard';
// 321-INTERVIEW PALLADIN FM#1
Caption[53] = 'President Ronald Reagan, celebrating his 69th birthday at the famous Watergate eatery on February 6, 1980.';
Credit[53] = 'Photo: uncredited';
// 322-THE GENIUS THAT WAS JEAN-LOUIS
Caption[54] = 'Palladin was fearless in and out of the kitchen. Here he poses for an audacious ad for a blender.';
Credit[54] = 'Photo: ©Len Depas';
Caption[55] = 'Palladin chats with Rod Mitchell, who at the chef\’s request became the first U.S. fisherman to gather diver scallops.';
Credit[55] = 'Photo courtesy of Nicholas Branchina/Browne Trading Company';
Caption[56] = 'A dish featuring Louisiana crawfish, one of the many American foods showcased on Jean-Louis\’s menu.';
Credit[56] = 'Photo: ©Fred J. Maroon';
// 323-A HUNGER FOR CHANGE
Caption[57] = 'The award-winning Michel Roth, of the Ritz\’s two-star L\’Espadon, is one of six top-rated chefs who joined Femmes en Avenir this year; his apprentice, Bahria, began working in his kitchen this past fall.';
Credit[57] = 'Photo: ©Jacques Guillard/SCOPE';
Caption[58] = 'Alain Ducasse, who launched the program "Femmes en Avenir" in 2010.';
Credit[58] = 'Photo: ©Vincent Lappartient';
Caption[59] = 'Bahria arranges trays of miniature desserts in the Ritz kitchen.';
Credit[59] = 'Photo: ©Jacques Guillard/SCOPE';
Caption[60] = 'Restaurant Lasserre\s Christophe Moret joins apprentice Habsatou as she shows off an artfully arranged salad.';
Credit[60] = 'Photo: ©Jacques Guillard/SCOPE';
// 326-INTERVIEW NGA
Caption[61] = 'Celebrated for his landscapes, Corot was also a great figure painter, although he never exhibited his portraits. His "Agostina" is one of three portraits displayed in the renovated gallery.';
Credit[61] = 'Photo: National Gallery of Art, Washington, DC';
Caption[62] = 'Curator Mary Morton.';
Credit[62] = 'Photo: vRob Shelley/National Gallery of Art, Washington, DC';
Caption[63] = 'One of the themes evoked in the new galleries is Paris at the time of Baron Haussmann\’s reconstruction of the city, between 1853 and 1870. Manet\’s paintings, such as “The Railway” (right), show little enthusiasm for the modern urban landscape. Pissarro, however, reveled in the new streets and boulevards, as is evident in his “Boulevard des Italiens, Morning, Sunlight” (Left).';
Credit[63] = 'Photos: National Gallery of Art, Washington, DC, Chester Dale Collection; National Gallery of Art, Washington, DC, Gift of Horace Havemeyer in memory of his mother, Louisine W. Havemeyer';
Caption[64] = 'One of the themes evoked in the new galleries is Paris at the time of Baron Haussmann\’s reconstruction of the city, between 1853 and 1870. Manet\’s paintings, such as “The Railway” (right), show little enthusiasm for the modern urban landscape. Pissarro, however, reveled in the new streets and boulevards, as is evident in his “Boulevard des Italiens, Morning, Sunlight” (Left).';
Credit[64] = 'Photos: National Gallery of Art, Washington, DC, Chester Dale Collection; National Gallery of Art, Washington, DC, Gift of Horace Havemeyer in memory of his mother, Louisine W. Havemeyer';
// 327-CALENDRIER
Caption[65] = 'Henriette Lorimier (1775-1854) captured the gravitas of François Charles Hugues Laurent Pouqueville in her 1830 portrait of the historian, featured in “Royalists to Romantics.”';
Credit[65] = 'Photo: Daniel Arnaudet and Gérard Blot / Réunion des Musées Nationaux / Art Resource, NY';
Caption[66] = 'A stone figure from the Marquesas, on view in “Gauguin & Polynesia.”';
Credit[66] = 'Photo: ©2011 Walter SIlver/Peabody Essex Museum';
Caption[67] = 'The Phillips Collection\’s “Snapshot” pairs George Hendrik Breitner\’s “Girl in a Red Kimono” (1893-1895) with the photo that inspired it.';
Credit[67] = 'Photos: Noortman Master Paintings, Amsterdam / Private Collection; Collection RKD, The Hague';
Caption[68] = 'Les Ballets de Monte Carlo perform “Opus 40,” featuring music by Meredith Monk, at two U.S. venues this winter.';
Credit[68] = 'Photo: ML Briane';
// 325-CULTURE WINTER 2011-12
Caption[69] = 'Rizzoli\’s sumptuous new DIOR Couture features a parade of exquisite haute-couture fashions shot by famed photographer Patrick Demarchelier.';
Credit[69] = 'Photo: ©Patrick Demarchelier/DIOR Couture';
Caption[70] = '“Femme nue aux longs cheveux, renversée en arrière” (c. 1900) is part of a show at the Musée Rodin devoted to the sculptor\’s drawings.';
Credit[70] = 'Photo: ©Jean de Calan/Musée Rodin';
Caption[71] = 'Adorned with 120 stones, Johann-Christian Neuber\’s round box (c. 1789) at the Musée Cognacq-Jay is a miniature masterpiece.';
Credit[71] = 'Photo: ©F. Cochennec & C. Rabourdin/Musée Cognacq-Jay/Roger-Viollet';
Caption[72] = 'After receiving a major donation, Paris\’s Museum of Modern Art is showcasing Giorgio de Chirico, including his “Tempio del sole” (1971).';
Credit[72] = 'Photo: ©ADAGP, Paris 2011';
Caption[73] = 'Fourteenth-century pottery from Paris and Normandy on view in the Cité\’s revamped north wing.';
Credit[73] = 'Photo: ©Martine Beck-Coppola/RMN (Sèvres, Cité de la céramique)';
Caption[74] = 'Louis Léopold Boilly\’s portrait of one of his sons (c. 1795-1800) adds a tender note to Lille\’s anniversary retrospective at the Palais des Beaux-Arts.';
Credit[74] = 'Photo: ©Le Mage/RMN';
Caption[75] = 'Versailles\’s Opéra Royal';
Credit[75] = 'Photo: The Beatnik';
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